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9 resources
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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Syrek, Barbara M. “Les archives photographiques Notman du Musée McCord.” Fontanus Vol. 7 (1994): 127–147. http://fontanus.mcgill.ca/article/view/100.
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Strong, David Calvin. “Sidney Carter (1880-1956) and the Politics of Pictorialism.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-78.pdf.
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St-Jean, France. “Ghitta Caiserman Roth (née en 1923) : Peintre sociale de l’après-guerre.” In Ces femmes qui ont bâti Montréal: La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny, 275–276. Montréal: Édition du Remue-Ménage, 1994.
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Poulter, Gillian. “Representation as Colonial Rhetoric : The Image of ‘the Native’ and ‘the Habitant’ in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 16, no. 1 (1994): 10–29. http://jcah-ahac.concordia.ca/fr/archive/1994_16-1.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Fuller, Kathryn Helgesen. “The Cook and Harris High Class Moving Picture Company: Itinerant Exhibitors and the Small-Town Movie Audience, 1900-1910.” New York History Vol. 75, no. 1 (1994): 4–38.
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Ferrari, Pepita, and Erna Buffie. By Woman’s Hand. Animations Piché Ferrari in co-production with Studio B, National Film Board of Canada, 1994.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.