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7 resources
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Urschel, Katrin. “From the ‘White Lily’ to the ‘King Frog in a Puddle’: A Comparison of Confederation and Multiculturalism in Irish-Canadian Literature.” International Journal of Canadian Studies/Revue internationale d’études canadiennes Vol. 43, no. 1 (2011): 45–65. http://www.erudit.org/revue/ijcs/2011/v/n43/1009454ar.pdf.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Rackham, Michèle. “Reframing Montreal Modernisms: A Biographical Study of Betty Sutherland and Her Work with First Statement, First Statement Press, Contact, Contact Press, and CIV/n.” Master’s Thesis, Carleton University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR18293.PDF.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Watchtel, Wendy, ed. There Is A Voice: A Collection of English Poetry and Photography by Montreal Women. New York, NY: Angle Lightning Press, 1978.