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Reid, Gregory J. “David Fennario Turned Rhapsodist: The Re-Birth of the Author in Performance.” Essays in Theatre/Études Théâtrales Vol. 18, no. 1 (November 1999): 63–77.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Galli Mastrodonato, Paola Irene. “Joe Beef: Irish Immigrants in My Theatre.” Il Tolomeo: Articoli, recensioni e inediti delle Nuove Letterature Vol. 1, no. 2 (1996): 5–7.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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Galli Mastrodonato, Paola Irene. “David Fennario: il ‘blues’ di un anglofono del Québec.” Linea d’ombra No. 108 (ottobre 1995): 44–49.
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Galli Mastrodonato, Paola Irene. “Intervista a David Fennario.” Rivista di Studi Canadesi Vol. 8 (1995): 135–144.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Larrue, Jean-Marc. “Sur les scènes montréalaise.” Cap-aux-Diamants No. 35 (Automne 1993): 32–37.
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Wagner, Anton. “Le critique B.K. Sandwell du Montreal Herald durant la Belle Époque, 1900-1914.” Translated by Jean-Guy Laurin. L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 95–110. https://core.ac.uk/download/pdf/59339634.pdf.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Galli Mastrodonato, Paola Irene. “Lo ‘spleen’ metropolitano di David Fennario: un militante anglofono nel Québec degli anni ’70.” Rivista di Studi Canadesi Vol. 4 (1991): 43–52.
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Shortt, Mary. “Curtain Time in Canada.” The Beaver Vol. 70, no. 4 (September 1990): 6–15.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Jackson, John D., and Paul Millen. “English-Language Radio Drama: A Comparison of Central & Regional Production Units.” Canadian Journal of Communication Vol. 15, no. 1 (1990): 1–17. http://cjc-online.ca/index.php/journal/article/viewArticle/536.
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Podbrey, Maurice. “Communiquer.” Liberté Vol. 31, no. 3 (183) (Juin 1989): 34–40.
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Ackerman, Marianne. “Backstage with the British Garrison.” Matrix Vol. 28 (Spring 1989): 27–28.
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Nunn, Robert C. “The Interplay of Action and Set in the Plays of David Fennario.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 9, no. 1 (Spring 1988): 3–18. https://journals.lib.unb.ca/index.php/TRIC/article/view/7346.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Fullerton, Carol W. “The Theatre Criticism of George Stewart, Jr.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 147–156. https://journals.lib.unb.ca/index.php/tric/article/view/7333/8392.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Simon, Sherry. “The Language of Difference: Minority Writers in Quebec.” Canadian Literature Supplement No. 1 (May 1987): 119–137.
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Ferry, Joan. “Experiences of a Pioneer in Canadian Experimental Theatre.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 8, no. 1 (Spring 1987): 43–50.
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Whittaker, Herbert. “Whittaker’s Montreal: A Theatrical Autobiography, 1910-1949.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 233–331.
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Bains, Yashdip Singh. “Popular-Priced Stock Companies and Their Repertory in Montreal and Toronto in the 1890s.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 332–339.
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Wallace, Robert. “A Tale of Two Cities: Maurice Podbrey of Montreal’s Centaur Theatre and John Van Burek of Toronto’s Théâtre Du P’tit Bonheur Discuss Minority-Language Theatre.” Canadian Theatre Review No. 46 (Spring 1986): 6–20.
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Desson, Jim, and Bruce K. Filson. “Where Is David Fennario Now?” Canadian Theatre Review Vol. 46 (Spring 1986): 36–41.
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Ackerman, Marianne. “A Crisis of Vision: Anglophone Theatre in Montreal.” Canadian Theatre Review No. 46 (Spring 1986): 21–27.
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