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22 resources
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Young, David. “Céline Dion, the ADISQ Controversy, and the Anglophone Press in Canada.” Canadian Journal of Communication Vol. 24, no. 4 (Autumn 1999): 515–538. http://www.cjc-online.ca/index.php/journal/article/viewArticle/1124.
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Desjardins, Jacques. “Brian Cherney et Bruce Mather : la clairvoyance du compositeur solitaire.” Circuit Vol. 10, no. 2 (1999): 17–28. https://www.erudit.org/en/journals/circuit/1999-v10-n2-circuit138/004660ar.pdf.
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Beckwith, John. “Choral Music in Montreal Circa 1900: Three Composers.” University of Toronto Quarterly Vol. 63, no. 4 (Summer 1994): 504–517.
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Norris, Ken. “‘From This Broken Hill’: Leonard Cohen’s Stranger Music.” American Review of Canadian Studies Vol. 24, no. 3 (1994): 363–375.
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McGee, Timothy J. “An Elegant Band of Music: Music in Canada in the 18th Century.” International Journal of Canadian Studies / Revue internationale d’études canadiennes Vol. 5 (Spring 1992): 25–37. http://www.iccs-ciec.ca/documents/riec/67.pdf?v=1358480745.
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Posen, Sheldon I. “English-French Macaronic Songs in Canada – A Research Note and Query.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 35–43.
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Bennett, Margaret. “Gaelic Song in Eastern Canada: Twentieth-Century Reflections.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 21–33.
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Gordon, Tom. “Music in Absentia: Bishop’s Faculty of Music, 1886-1947.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 11, no. 2 (1991): 33–50. https://www.erudit.org/en/journals/cumr/1991-v11-n2-cumr0439/1014106ar.pdf.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Grégoire, Carole. “La situation de l’orgue au Québec entre 1764 et 1836 telle que présentée par la presse.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 10, no. 1 (1990): 1–11. https://www.erudit.org/en/journals/cumr/1990-v10-n1-cumr0505/1014892ar.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Benazon, Michael. “Leonard Cohen of Montreal.” Matrix No. 23 (Fall 1986): 43–57.
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Robert, Véronique. “Culture Without Frontiers.” Forces No. 73 (Hiver 1986): 37–40.
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MacDonald, Joan. “The Eastern Townships Conservatory of Music.” Stanstead Historical Society Journal Vol. 11 (1985): 35–38.
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Cohen, Judith R. “Judeo-Spanish Traditional Songs in Montreal and Toronto.” Canadian Folk Music Journal Vol. 10 (1982): 40–47.
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MacDonald, Mary Lu. “An Index to The Literary Garland Update.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 19 (1980): 79–83.
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Rooney, Frances. “The Montreal Women’s Symphony.” Atlantis Vol. 5, no. 1 (Fall 1979): 70–82. http://journals.msvu.ca/index.php/atlantis/article/viewFile/4711/3942.
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Skelton Grant, Judith. “Leonard Cohen’s Poems-Songs.” Studies in Canadian Literature / Études en littérature Canadienne Vol. 2, no. 1 (Winter 1977): 102–107. https://journals.lib.unb.ca/index.php/scl/article/view/7856/8913.
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Hare, John. “The Beginnings of Music Printing in Lower Canada.” Canadian Notes and Queries No. 5 (May 1970): 9–10.
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Pacey, Desmond. “The Phenomenon of Leonard Cohen.” Canadian Literature No. 34 (Autumn 1967): 5–23. https://canlit.ca/wp-content/uploads/2015/09/CL034-Full-Issue.pdf.
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Kallmann, Helmut. “From the Archives: The Montreal Gazette on Music from 1786 to 1797.” The Canadian Music Journal Vol. 6, no. 3 (Spring 1962): 3–11.
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Lamontagne, C.-O., and Romain Gour. “Frank Stephen Meighen, dilettante et mécène (1870-1946).” Qui? Vol. 5, no. 3 (March 1954): 41–56.