The Beaver Hall Group and its Place in the Montreal Art Milieu and the Nationalist Network.
| Type of resource | |
|---|---|
| Author/collaborator |
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| Title |
The Beaver Hall Group and its Place in the Montreal Art Milieu and the Nationalist Network.
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| Abstract |
A study of the Montreal art scene in the 1920s, a period when a nationalist cultural agenda was emerging among English Canada’s intelligentsia class. The Beaver Hall Group, Montreal's first association of modern artists, was short-lived (1920-1923), and was only re-discovered in the 1950s when it was presented as being primarily composed of Anglophone women artists. However, the author points out that while there was a large contingency of female members, latter-day historians have largely ignored the male members, who comprised the majority of the Beaver Hall Group.
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| Type |
Master's Thesis
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| University |
Concordia University
|
| Place |
Montreal
|
| Date |
1994
|
| # of Pages |
vi-137p.
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| Language |
en
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| URL | |
| Citation |
Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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