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Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
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Trépanier, Esther. “Les peintres juifs à Montréal dans l’Entre-deux-guerres.” Études canadiennes/Canadian Studies No. 21, no. Tome 1 (1986): 133–139.
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Paikowsky, Sandra, and Monique Nadeau-Saumier. Louis Muhlstock: New Themes and Variations, 1980-1985. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Nemiroff, Diana. Canada, XLII Biennale Di Venezia, 1986: Melvin Charney and/et Krzysztof Wodiczko. Ottawa, ON: National Gallery of Canada/Musée des beaux-arts du Canada, 1986.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Miller, George L., and Elizabeth A. Jorgensen. Some Notes on Bottle Mould Numbers from The Dominion Glass Company and Its Predecessors. Ottawa, ON: National Historic Parks and Sites Branch, Parks Canada, 1986.
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Luckyj, Natalie. Expressions of Will: The Art of Prudence Heward/L’art de Prudence Heward: L’expression d’une Volonté. Kingston, ON: Agnes Etherington Art Centre, 1986.
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Fry, Philip, and Bruce Parsons. Bruce Parsons: “United Technologies and Gardens” Installation and Painting. Montreal: Art Gallery of the Saidye Bronfman Centre, 1986.
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Dompierre, Louise. John Lyman, 1886-1967. Kingston, ON: Agnes Etherington Art Centre, 1986.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Blank, Hedy. “The Prohibition Against Making Images: Teaching Art in the Orthodox Jewish Schools in Montreal: The Context for This Problem and an Examination of Art Teaching Practice in Two Orthodox Schools.” Master’s Thesis, Concordia University, 1986.
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Bara, Jana L. “Furs in Fashion as Illustrated in the Photo-Portraiture of William Notman in the 1860’s.” Master’s Thesis, Concordia University, 1986. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3340.pdf.
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Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.
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Triggs, Stanley. William Notman: The Stamp of a Studio. Toronto: Art Gallery of Ontario, 1985.
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Société allemande / German Society / Deutsche Gesellschaft. Notre héritage allemand / German artists in Quebec / Deutschkanadische Kunst in Québec. Montréal: La Société, 1985.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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Salvi, Philippe. Les places publiques et la statuaire de 1809 à 1955 à Montréal. Montréal: Université de Montréal, 1985.
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Nemiroff, Diana. “A History of Artist-Run Spaces in Canada, With Particular Reference to Véhicule, A Space and the Western Front.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4551.pdf.
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Morgan, Norma. “F. Cleveland Morgan and the Decorative Arts Collection in the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3233.pdf.
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Giroux, Louise. “Le vitrail dans l’architecture domestique à Montréal, 1880-1930.” Master’s Thesis, Université du Québec à Montréal, 1985.
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Fox, Ross Allan C. Presentation Pieces and Trophies from the Henry Birks Collection of Canadian Silver. Ottawa, ON: National Gallery of Canada, 1985.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Cloutier, Nicole. John Wilson Morrice, 1865-1924. Montréal: Musée des Beaux-arts de Montréal/Montreal Museum of Fine Arts, 1985.
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Chevrefils, Yves. “John Henry Walker (1831-1899), artisan-graveur montréalais. La montée et la chute du premier médium moderne d’illustration: la gravure sur bois de reproduction.” Master’s Thesis, Universtié du Québec à Montréal, 1985.
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Chèvrefils, Yves. “John Henry Walker (1831-1899), Artisan-Graveur.” The Journal of Canadian Art/Annales d’histoire de l’art canadien Vol. 8, no. 2 (1985): 178–225. http://jcah-ahac.concordia.ca/fr/archive/1985_8-2.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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Kollar, Kathryn L. John Arthur Fraser, 1838-1898: Watercolours / John Arthur Fraser, 1838-1898: Aquarelles. Montreal: Concordia Art Gallery, 1984.
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