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Valliant, Lois, and Sandra Paikowsky. Robert Ayre : The Critic and the Collection / Le Critique Face à La Collection. Translated by Monique Nadeau-Saumier. Montreal: Concordia Art Gallery, Concordia University, 1992.
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Trudel, Jean. “Aux origines du Musée des beaux-arts de Montréal : la fondation de l’Art Association of Montreal en 1860.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. no, 1 (1992): 31–62. http://jcah-ahac.concordia.ca/fr/archive/1992_15-1.
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Triggs, Stanley G. Le Studio de William Notman. Objectif Canada/William Notman’s Studio. The Canadian Picture. Montreal: McCord Museum of Canadian History and McGill-Queen’s University Press, 1992.
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Smart, Tom. “Letters to Canada : Jack Chambers’ Correspondence with Charles Greenshields, 1955-1962.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 19, no. 1–2 (1992): 133–141.
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Salvatore, Filippo. La fresque de Mussolini. Montréal: Guernica, 1992.
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Morgan, Norma. “Sidney Dawes and the McGill Museum of Canadian Art.” Fontanus Vol. 5 (1992): 73–122. http://fontanus.mcgill.ca/article/view/63.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Lesser, Gloria. “The R.B. Angus Art Collection: Paintings, Watercolours and Drawings.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 15, no. 1 (1992): 108–123. http://jcah-ahac.concordia.ca/en/archive/1992_15-1.
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Lessard, Michel. Montréal, métropole du Québec. Images oubliées de la vie quotidienne, 1852-1910. Montréal: Éditions de l’Homme, 1992.
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Graham, Conrad. Mount Royal : Early Plans and Views of Montreal/Ville Marie : vues et plans anciens de Montréal. Montreal: McCord Museum of Canadian History, 1992.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
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Shtychno, Alexandra. “Luigi Giovanni Vitale Capello a.k.a. Cappello (1843-1902), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3622.pdf.
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Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Eidelberg, Martin, ed. Design 1935-1965: What Modern Was. Selections from the Liliane and David M. Stewart Collection. Montréal: Musée des arts décoratifs de Montréal, 1991.
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Marcil, Madeleine. “Images de femmes: Les Québécoises photographes.” Cap-aux-Diamants No. 21 (Printemps 1990): 39–41. https://www.erudit.org/en/journals/cd/1990-n21-cd1040271/7595ac.pdf.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Fraser, Heather C. “Paterson Ewen: The Turn from Non-Figurative to Figurative Painting.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 13, no. 1 (1990): 25–52. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Trépanier, Esther. “Peintres juifs au rendez-vous de la modernité.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/610ac.pdf.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Thom, Ian M. The Prints of Edwin Holgate. Kleinburg, ON: McMichael Canadian Art Collection, 1989.
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