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Des Rochers, Jacques. “Previously Unseen Kathleen Moir Morris : Montreal, Rare and Iconic.” The Magazine of the Montreal Museum of Fine Arts, August 2019.
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Gallop, Mark W. “Thomas and Ellen Castle : Bringing Ancestors out of the Shadows, with Four Plot Twists Along the Way. Part 1.” Connections: Journal of The Quebec Family History Society Vol. 41, no. 2 (February 2019): 13–16.
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Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
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Huston, Lorne, and Ann Pearson. “Montreal Camera Club: 125 Years.” The Westmount Historian, February 2018. https://westmounthistorical.org/whawp/wp-content/uploads/2018/02/2018_02Text.pdf.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Evoughlian, Sandra. “Envisioning New Futures : Portrait Photographs of Black Victorians in Montreal, 1861-1901.” Master’s Thesis, McGill University, 2018. https://escholarship.mcgill.ca/concern/theses/v979v695j.
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Graham, Ron, ed. Obsession: Sir William Van Horne’s Japanese Ceramics. Montreal and Kingston: Published for the Gardiner Museum (Toronto) by McGill-Queen’s University Press, 2018.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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McKellar, Shelley. “The Osler Library Prints Collection.” Bulletin of the History of Medicine Vol. 91, no. 2 (Summer 2017): 435–437.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Wright, Jr, James R., Richard Fraser, Annmarie Adams, and Mary Hunter. “Portraying Maude Abbott.” Canadian Medical Association Journal/Journal de l’Association médicale canadienne Vol. 189, no. 7 (February 21, 2017): E281–E283. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5318216/.
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Walters, Evelyn. The Beaver Hall Group and Its Legacy. Toronto, ON: Dundurn Press, 2017.
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Théry, Flore. “Les commandes de photographies documentaires dans le studio Notman (1858-1909) : Naissance d’une mythologie canadienne de l’âge moderne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20182/Thery_Flore_2017_memoire.pdf?sequence=2&isAllowed=y.
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Lapointe, Gilles. Edmund Alleyn : biographie. Montréal: Les Presses de l’Université de Montréal, 2017.
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Grondin, Mélanie. The Art and Passion of Guido Nincheri. Montreal: Véhicule Press, 2017. 978-1-55065-485-1.
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Busseau, Laurent. “Guido Nincheri : le savoir-faire de la Renaissance italienne à Montréal.” Histoire Québec Vol. 22, no. 4 (2017): 14–16. https://www.erudit.org/en/journals/hq/2017-v22-n4-hq02983/85086ac.pdf.
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Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
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Ward, Nick. “Remembering the Beaver Hall Group -- Canada’s Unsung Modernists.” FASSinate: Carleton University Faculty of Arts and Social Sciences Magazine, 2016. https://carleton.ca/fass/wp-content/uploads/FASSinate2016.pdf.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Nadeau, Jean-François. Les Montréalais : Portraits d’une histoire. Montréal: Les Éditions de l’Homme, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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