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Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
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Sprung, Guy. “Les Anglos enchaînés.” Jeu: Revue de théâtre Vol. 122, no. 1 (2007): 118–124.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Ackerman, Marianne. “A Crisis of Vision: Anglophone Theatre in Montreal.” Canadian Theatre Review No. 46 (Spring 1986): 21–27.
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Vaïs, Michel. “Théâtre anglophone.” Jeu Vol. 38 (1986): 131–187.
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Poteet, Susan. “New Play Development in Quebec: A Matter of Voice.” Canadian Theatre Review No. 46 (1986): 28–35.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “Le théâtre anglo-québécois à l’heure du renouveau.” Jeu: Revue de théâtre Vol. 38 (1986): 131–135.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “La plus ancienne compagnie anglophone de Montréal : Andrew Johnston -- Youtheatre.” Jeu: Revue de théâtre Vol. 38 (1986): 158–160.
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Bains, Yashdip Singh. “Frederick Brown and Montreal’s Doomed Theatre Royal, 1825-26.” Theatre Survey Vol. 24 (November 1983): 65–75.
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Lynde, Denyse. “Theatrical Activity in Montreal in the 1830s.” Association for Canadian Theatre History/Association d’histoire du théâtre au Canada Vol. 6, no. 1 (Fall 1982): 15–17.
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Garebian, Keith. “Saidye Bronfman Theatre -- English Drama Hits Hard Times in Quebec.” Performing Arts Magazine Vol. 19 (Fall 1982): 47–48, 50.
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Moy, James S. “The Opening of Montreal’s Theatre Royal.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 1, no. 1 (Spring 1980): 24–38.
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Montpetit, Raymond. “Loisir public et société à Montréal au XIXe siècle.” Loisir et Société / Society and Leisure Vol. 2, no. 1 (Avril 1979): 101–126.
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Laurin, Camille. “English Theatre and Quebec Culture.” Canadian Theatre Review Vol. 21 (Winter 1979): 124–126.
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Gerson, Mark D. “Muriel Gold’s English Theatre Is Alive and Well in Quebec -- For Now.” Performing Arts Magazine Vol. 15 (Summer 1978): 23–25.
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Garebian, Keith. “Why Is English Theatre in Quebec Becoming Politically Irrelevant?” Performing Arts Magazine Vol. 15 (Winter 1978): 29–32.
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Marmier, Jean. “Les personnage anglophones dans le théâtre québécois.” Études canadiennes/Canadian Studies No. 4 (1978): 27–40.
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Lawrence, Robert G. “Eugene A. McDowell and His Contributions to the Canadian Theatre 1875-1890.” Dalhousie Review Vol. 58, no. 2 (1978): 249–259.
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Bains, Yashdip Singh. “Canada’s First Professional Company.” Theatre Survey Vol. 18, no. 1 (May 1977): 84–98.
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Kallmann, Helmut. “From the Archives: The Montreal Gazette on Music from 1786 to 1797.” The Canadian Music Journal Vol. 6, no. 3 (Spring 1962): 3–11.
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