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Ferron-Desautels, Marie. “Katherine Jane Ellice (1812-1864) : de Beauharnois à Glenquoich, rires et pérégrinations d’une artiste en mouvement.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/13368/1/M16342.pdf.
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Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
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Reford, Alexander. “Thomas Fenwick: illustrer et promouvoir une région.” Magazine Gaspésie No. 192 (November 2018): 12–14. https://magazinegaspesie.ca/pages/extra-no-192.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Wright, Jr, James R., Richard Fraser, Annmarie Adams, and Mary Hunter. “Portraying Maude Abbott.” Canadian Medical Association Journal/Journal de l’Association médicale canadienne Vol. 189, no. 7 (February 21, 2017): E281–E283. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5318216/.
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Schwartz, Stephanie Tara. “Occupation and 20 Ans Après: Representing Jewish Activism in Montreal, 1968-1977.” Canadian Jewish Studies / Études juives canadiennes Vol. 25 (2017): 60–78. https://cjs.journals.yorku.ca/index.php/cjs/issue/view/2288.
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Grondin, Mélanie. The Art and Passion of Guido Nincheri. Montreal: Véhicule Press, 2017. 978-1-55065-485-1.
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Beaudoin, Caroline. “Everyday Landscapes: Picturing Places of Labour, Leisure, and Industry in Quebec’s Eastern Townships, 1900-2015.” PhD dissertation, Concordia University, 2017. https://spectrum.library.concordia.ca/982512/.
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Beaudoin, Caroline. “Landscapes and Postcards from the Eastern Townships: A Cultural Landscape Perspective.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 47 (Fall 2016): 71–96. https://www.etrc.ca/wp-content/uploads/2021/05/Jets_47-08_Beaudoin.pdf.
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Beaudoin, Caroline. “F.S. Coburn’s Antimodern-Modern Landscape Paintings of Quebec Loggers in the Eastern Townships.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 37–57. http://www.etrc.ca/wp-content/uploads/2017/10/JETS_46-6_Beaudoin.pdf.
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Ward, Nick. “Remembering the Beaver Hall Group -- Canada’s Unsung Modernists.” FASSinate: Carleton University Faculty of Arts and Social Sciences Magazine, 2016. https://carleton.ca/fass/wp-content/uploads/FASSinate2016.pdf.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Grignon, Marc. “Architecture and ‘Environmentality’ in the Nineteenth Century.” Journal of the Society for the Study of Architecture in Canada /Journal de la Société pour l’étude de l’architecture au Canada Vol. 39, no. 2 (2014): 65–77. https://dalspace.library.dal.ca/bitstream/handle/10222/64726/Pages%20from%20vol39_no2_65_77.pdf?sequence=1&isAllowed=y.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Rondeau, Kim. “Où en sommes-nous avec l’art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5249.pdf.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Huston, Lorne. “The 1913 Spring Exhibition of the Art Association of Montreal: Anatomy of a Public Debate.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 34, no. 1 (2013): 12–55. http://jcah-ahac.concordia.ca/fr/archive/2013_34-1.
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Nadeau-Saumier, Monique. “Sous-sol au mannequin de tailleur : un tableau témoin d’un quartier et d’une époque de Louis Muhlstock.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 119–141. http://jcah-ahac.concordia.ca/en/archive.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Bernier, Geneviève. “La bourgeoisie en portrait au Bas-Canada (1790-1830).” Master’s thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/.
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Bennett, lloyd. “Thomas Davies – An Eighteenth-Century War Artist in British North America : War Art as Cultural Signifier.” Lumen: The Canadian Society for Eighteenth Century Studies/La Société canadienne d’étude du dix-huitième siècle Vol. 31 (2012): 65–72. https://www.erudit.org/en/journals/lumen/2012-v31-lumen0356/1013067ar.pdf.
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