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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Huston, Lorne. “The 1913 Spring Exhibition of the Art Association of Montreal: Anatomy of a Public Debate.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 34, no. 1 (2013): 12–55. http://jcah-ahac.concordia.ca/fr/archive/2013_34-1.
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Nadeau-Saumier, Monique. “Le Sherbrooke Library and Art Building, 1887-1927 : un espace et un lieu de rencontre entre les cultures anglophone et francophone.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 38 (Printemps 2012): 33–49. http://www.etrc.ca/journal/jets-archive/.
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Nadeau-Saumier, Monique. “Sous-sol au mannequin de tailleur : un tableau témoin d’un quartier et d’une époque de Louis Muhlstock.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 119–141. http://jcah-ahac.concordia.ca/en/archive.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Bernier, Geneviève. “La bourgeoisie en portrait au Bas-Canada (1790-1830).” Master’s thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Turcot, Laurent. “The Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 12, no. 1 (Automne 2011): 91–135. https://www.erudit.org/fr/revues/mens/2011-v12-n1-mens0146/1010567ar.pdf.
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McGuire, Susan. “Discovered by Descendants : William Satchwell Leney, 1769-1831.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Keyes, Fergus. “The Point’s Beaver Hall Atrist : Emily Coonan, 1885-1971.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Fox, Ross Allan C. “Julius Barnard (1769-after 1820) as Peripatetic Yankee Cabinetmaker.” Vermont History Vol. 79, no. 1 (Winter/Spring 2011): 1–25. https://vermonthistory.org/journal/79/VHS7901JuliusBarnard.pdf.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Lafleur, Geneviève. “Le parcours de formation et les stratégies de diffusion de femmes galeristes à Montréal entre 1941 et 1963 : Denyse Delrue, Estelle Hecht, Agnès Lefort et Rose Millman.” Master’s Thesis, Université du Québec à Montréal, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-4006.pdf.
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Herbert, Rhiannon. “Elephant in the City: An Analysis of Visual Culture and the Aesthetic Elsewhere of Indian Restaurants in Montreal, QC.” Master’s Thesis, Concordia University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-35884.pdf.
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Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Liétard, Clotilde. “La thématique hivernale dans les oeuvres de Maurice Cullen, de 1896 à 1914.” Master’s Thesis, Université de Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMU/TC-QMU-4417.pdf.
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Godin-Laverdière, Julie-Anne. “L’apport de Prudence Heward, Lilias Torrance Newton et Jori Smith à l’élaboration de la modernité picturale canadienne : 1920-1948.” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2702.pdf.
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Colby, Robert. “Art, Gentility and Family Memory: Willbur Reaser’s Paintings for Carrollcroft.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 35 (2010): 49–90. http://www.etrc.ca/journal/jets-archive/.
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Alvarez Hernandez, Analays. “La commande publique dans un contexte de diversité ethnoculturelle: débat entourant l’érection du monument La Réparation (1994-1998).” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3715.pdf.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
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Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Barclay, Barbara. “Secrets of the Sculptor : Rustic Country Origins and a Romantic Spirit Shaped Orson Wheeler’s Life.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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