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Reid, Gregory J. “Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama.” Comparative Drama Vol. 35, no. 3–4 (2021): 291–318. https://scholarworks.wmich.edu/compdr/vol35/iss4/3.
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Donovan, Patrick. “English-Speaking Quebecers.” The Canadian Encyclopedia. Historica Canada, August 29, 2019. Accessed November 6, 2015. http://www.thecanadianencyclopedia.ca/en/article/english-speaking-quebecer/.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Quebec Anglophone Heritage Network. “Memphremagog Masterpiece: Long-Lost Grand Drape Finds a New Home.” Histoire Québec, 2018. https://www.erudit.org/en/journals/hq/2018-v24-n3-hq04259/89724ac.pdf.
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Hurley, Erin. “Townships Theatres: Identities and Circuits, 1935-1982.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 15–35. http://www.etrc.ca/journal/jets-archive/.
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Tumarkin, Pola. “An Historiographical Reading of the Founding of Canada’s National Theatre School.” PhD dissertation, York University, 2016. https://yorkspace.library.yorku.ca/xmlui/bitstream/handle/10315/32289/Tumarkin_Pola_R_2016_PhD.pdf?sequence=2.
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King, Jason. “Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec.” CLCWeb: Comparative Literature and Culture Vol. 18, no. 4 (2016): 8 pages. https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2907&context=clcweb.
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Gibb, Alexandra. “Beyond the Decline: Revaluing Montreal’s Movie Palaces.” PhD dissertation, McGill University, 2016. https://escholarship.mcgill.ca/concern/theses/12579w10t.
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Gallop, Mark W. “Strangely Promising Talent: The Westmount Thespians Through the Decades.” Quebec Heritage News, Summer 2015. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2015_layout_1_reduced.pdf.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Margolis, Rebecca. “Holocaust and Post-Holocaust Yiddish Theatre in Montreal: A Canadian Response to Catastrophe.” In Leket: Yidishe Shtudyes Haynt/Leket: Jiddistik Heute/Leket: Yiddish Studies Today, edited by Marion Aptroot, 525–540. Düsseldorf, Germany: Düsseldorf University Press, 2012. https://docserv.uni-duesseldorf.de/servlets/DerivateServlet/Derivate-23711/cuknya6h/Leket_ganz_A.pdf.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Ackerman, Marianne. “Reclaiming Centre Stage: The Theatre Community of English Quebec.” Quebec Heritage News, Fall 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2011_reset_layout_1_reduced.pdf.
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Vickery, Anthony. “Two Patterns of Touring in Canada: 1896 to 1914.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 31, no. 1 (2010): 1–19. http://journals.hil.unb.ca/index.php/tric/article/view/18281/19698.
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Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
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Histoire culturelle - Sherbrooke, ville de culture. Sherbrooke, QC: Ville de Sherbrooke, 2003. https://www.ville.sherbrooke.qc.ca/fileadmin/fichiers/ville.sherbrooke.qc.ca/fr/citoyens/slscvc/culture.pdf.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Kremer, Johanna. “Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-28286.pdf.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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Wagner, Anton. “Le critique B.K. Sandwell du Montreal Herald durant la Belle Époque, 1900-1914.” Translated by Jean-Guy Laurin. L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 95–110. https://core.ac.uk/download/pdf/59339634.pdf.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Curtis, Ron. “A History of Playwrights’ Workshop Montreal, 1963-1988.” Master’s Thesis, McGill University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-60465.pdf.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Jackson, John D., and Paul Millen. “English-Language Radio Drama: A Comparison of Central & Regional Production Units.” Canadian Journal of Communication Vol. 15, no. 1 (1990): 1–17. http://cjc-online.ca/index.php/journal/article/viewArticle/536.
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Booth, Philip. “The Montreal Repertory Theatre, 1930-1961: A History and Handlist of Productions.” Master’s Thesis, McGill University, 1990. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-61143.pdf.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Fullerton, Carol W. “The Theatre Criticism of George Stewart, Jr.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 147–156. https://journals.lib.unb.ca/index.php/tric/article/view/7333/8392.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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