Page 14 201 de 14 362
Mavis Gallant's Overhead in a Balloon: Politics and Religion, Language and Art
Type of resource | |
---|---|
Author/collaborator |
|
Title |
Mavis Gallant's Overhead in a Balloon: Politics and Religion, Language and Art
|
Abstract |
The author notes that linguistics and post-structuralist criticism are observed in studying Montrealer Mavis Gallant's fiction. He explains that through her characters, Gallant examines ideological issues such as sexism, imperialism, and nationalism. He argues that there is a constant collision of ideological perspectives so that the reader is alternately interpolated, drawn into events, and distanced thus engaging the reader into a critical debate. This collision, the tension between ideological perspectives, he concludes, is what gives birth to art itself. Thus Gallant examines the uncomfortable relationships between art and money, and between politics and religion.
|
Publication |
Studies in Canadian Literature / Études en littérature Canadienne
|
Volume |
Vol. 14
|
Issue |
no. 2
|
Pages |
27-47
|
Date |
Summer 1989
|
Language |
en
|
URL | |
Citation |
Woolford, Daniel. “Mavis Gallant’s Overhead in a Balloon: Politics and Religion, Language and Art.” Studies in Canadian Literature / Études en littérature Canadienne Vol. 14, no. 2 (Summer 1989): 27–47. https://journals.lib.unb.ca/index.php/scl/article/view/8104/9161.
|
Find in a library | |
Permalink |
Page 14 201 de 14 362