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Wagner, Serge, and Jan Johnson. Du Privé Au Public : Gravures Du Québec Provenant Des Membres de La Société Des Collectionneurs d’Estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: Montreal Print Collectors’ Society, 2004.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Hill, Charles C. Canadian Painting in the Thirties. Ottawa, ON: National Gallery of Canada, 1975.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Sherman, Leah. 25 Artists, 25 Years: Celebrating the Faculty of Fine Arts / 25 Artistes, 25 Ans: Homage à La Faculté Des Beaux Arts. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2001.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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