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Robert, Lucie. “Chronique de la vie théâtrale.” In La Vie culturelle à Montréal vers 1900, edited by Micheline Cambron, 71–86. Montréal: Fides et Bibliothèque nationale du Québec, 2005.
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Hulslander, Kenneth. “L’espace comme signe identitaire : une étude des fonctions syntagmatiques de l’espace dans la dramaturgie anglo-québécoise depuis les années 1970.” PhD dissertation, Université du Québec à Montréal, 2005.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Histoire culturelle - Sherbrooke, ville de culture. Sherbrooke, QC: Ville de Sherbrooke, 2003. https://www.ville.sherbrooke.qc.ca/fileadmin/fichiers/ville.sherbrooke.qc.ca/fr/citoyens/slscvc/culture.pdf.
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Galli Mastrodonato, Paola Irene. Il teatro politico di David Fennario. Salerno/Milano, Italy: Oèdipus, 2002.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Hurley, Erin. “Styling a Nation : Theatre and Belonging in Quebec.” PhD dissertation, City University of New York, 2000.
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Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Beaubien, Jeanine C. La Poudrière Reincarnated: 25 Years of International Theatre in Montreal. Translated by Lorraine J. M. Lavigne. Montreal: Méridien, 1999.
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Kremer, Johanna. “Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-28286.pdf.
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Booth, Philip. Anglophone Theatre in Quebec from 1870 to 2000: Status Report. Montreal: Quebec Drama Federation, 1998.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Podbrey, Maurice. Half Man, Half Beast: Making a Life in Canadian Theatre. Montreal: Véhicule Press, 1997.
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Cuccioletta, Donald. “The Américanité of Quebec Urban Popular Culture As Seen Through Burlesque Theater in Montreal (1919-1939).” PhD dissertation, Université du Québec à Montréal, 1997.
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Larrue, Jean-Marc. Le Théâtre Yiddish à Montréal/Yiddish Theatre in Montreal. Translated by Catherine Browne. Montréal: Éditions Jeu, 1996.
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Galli Mastrodonato, Paola Irene. “Joe Beef: Irish Immigrants in My Theatre.” Il Tolomeo: Articoli, recensioni e inediti delle Nuove Letterature Vol. 1, no. 2 (1996): 5–7.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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Galli Mastrodonato, Paola Irene. “David Fennario: il ‘blues’ di un anglofono del Québec.” Linea d’ombra No. 108 (ottobre 1995): 44–49.
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Page, Malcolm. “David Fennario’s Balconville: Document and Message.” In On-Stage and Off-Stage : English Canadian Drama in Discourse, edited by Albert-Reiner Glapp and Rolf Althof. St. John’s, NL: Breakwater, 1995.
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Galli Mastrodonato, Paola Irene. “Intervista a David Fennario.” Rivista di Studi Canadesi Vol. 8 (1995): 135–144.
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Dombowsky, Philip. “Emmanuel Briffa Revisited.” Master’s Thesis, Concordia University, 1995.
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Hulslander, Kenneth. “L’émergence d’une identité québécoise dans la dramaturgie anglo-montréalaise.” Master’s Thesis, Université du Québec à Montréal, 1994.
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Larrue, Jean-Marc. “Sur les scènes montréalaise.” Cap-aux-Diamants No. 35 (Automne 1993): 32–37.
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Wagner, Anton. “Le critique B.K. Sandwell du Montreal Herald durant la Belle Époque, 1900-1914.” Translated by Jean-Guy Laurin. L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 95–110. https://core.ac.uk/download/pdf/59339634.pdf.
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Lanken, Dane. Montreal Movie Palaces: Great Theatres in the Golden Age 1884-1938. Waterloo, ON: Archives of Canadian Art, 1993.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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