Your search results
542 resources
Page 4 de 19
-
Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
-
Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
-
Malboeuf, David, and Rima Hammoudi. Jennifer Hornyak. Montreal: Jennifer Hornyak, 2011.
-
Lafleur, Geneviève. “Le parcours de formation et les stratégies de diffusion de femmes galeristes à Montréal entre 1941 et 1963 : Denyse Delrue, Estelle Hecht, Agnès Lefort et Rose Millman.” Master’s Thesis, Université du Québec à Montréal, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-4006.pdf.
-
Herbert, Rhiannon. “Elephant in the City: An Analysis of Visual Culture and the Aesthetic Elsewhere of Indian Restaurants in Montreal, QC.” Master’s Thesis, Concordia University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-35884.pdf.
-
Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
-
Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
-
Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
-
Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
-
Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
-
Lerner, Loren. “Photographs of the Child in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideas and Values of English Canadians about Themselves and ‘Other’ Canadians.” The Journal of the History of Childhood and Youth Vol. 3, no. 2 (Spring 2010): 233–263.
-
Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
-
Liétard, Clotilde. “La thématique hivernale dans les oeuvres de Maurice Cullen, de 1896 à 1914.” Master’s Thesis, Université de Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMU/TC-QMU-4417.pdf.
-
Krausz, Peter. “John Fox – A Reminiscence / John Fox – Une Évocation.” In John Fox: Refiguration, translated by Élise Bonnette, Irina Krausz, and Monique Nadeau-Saumier, 65–68. Montreal: Visual Arts Centre/McClure Gallery / Centre des arts visuels/Galerie McClure, 2010.
-
Godin-Laverdière, Julie-Anne. “L’apport de Prudence Heward, Lilias Torrance Newton et Jori Smith à l’élaboration de la modernité picturale canadienne : 1920-1948.” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2702.pdf.
-
Colby, Robert. “Art, Gentility and Family Memory: Willbur Reaser’s Paintings for Carrollcroft.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 35 (2010): 49–90. http://www.etrc.ca/journal/jets-archive/.
-
Alvarez Hernandez, Analays. “La commande publique dans un contexte de diversité ethnoculturelle: débat entourant l’érection du monument La Réparation (1994-1998).” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3715.pdf.
-
Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
-
Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
-
Lerner, Loren. “William Notman’s Portrait Photographs of Girls Reading From the 1860s to the 1880s: A Pictorial Analysis Based on Contemporary Writings.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 47, no. 1 (Spring 2009): 45–73.
-
Trudel, Jean. “L’Art Association of Montreal : les années d’incertitude, 1863-1877 (Deuxième partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 30 (2009): 92–115.
-
Roberts, Joan. Joan and Goodrige: My Life with Goodridge Roberts. Montreal: Véhicule Press, 2009.
-
Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
-
Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
-
McClure, Virginia. The Yellow Painting: A Memoir. Montreal: Visual Arts Centre/McClure Gallery, 2009.
-
Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
-
Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
-
Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
-
Barclay, Barbara. “Secrets of the Sculptor : Rustic Country Origins and a Romantic Spirit Shaped Orson Wheeler’s Life.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
-
Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
Page 4 de 19