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Cohen, Judith R. “Selanikli Humour in Montreal : The Repertoire of Bouena Sarfatty Garfinkle.” In Judeo Espaniol : Textos Satíricos Judeoespañoles, de Salonicenses o Sobre Salonicences / Judeo-Espaniol : Satirical Texts in Judeo-Spanish by and about the Jews in Thessaloniki, edited by Rena Molho, Hilary Pomeroy, and Elena Romero, 220–242. Thessaloniki, Greece: ETS Ahaim Foundation, 2011.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Palmer, Tony. Leonard Cohen: Bird on a Wire. DVD. Tony Palmer Films, 2010.
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Cappelletti, Arrigo. Paul Bley: The Logic of Chance. Translated by Gregory Burk. Montreal: Véhicule Press, 2010.
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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MacLeod, Rod. “Harry Norris : Ode to Montreal West’s Wandering Minstrel.” Quebec Heritage News, April 2009. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_mar-apr_2009_web-version_0.pdf.
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Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
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McLean, Don, and Dean Jobin-Bevans. “Survey of University-Based Music Programs in Canada.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 29, no. 1 (2009): 86–104. https://www.erudit.org/en/journals/is/2009-v29-n1-is3579/039112ar.pdf.
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Lefebvre, Marie-Thérèse, and Jean-Pierre Pinson. Chronologie Musicale du Québec, 1535-2004: musique de concert et musique religieuse. Québec: Septentrion, 2009.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Nadeau-Saumier, Monique. Un espace et un lieu de culture : le Art Building de Sherbrooke 1887-1927. Sherbrooke, QC: GGC Éditions, 2008.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Fauteux, Brian. “Campus Frequencies: The ‘Alternativeness’ of Campus Radio Broadcasting.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45295.PDF.
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Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Corrigan, Keith, and Jimmy Kelly. L’Irlande Au Québec, Musique et Chansons Traditionnelles de Keith Corrigan et Jimmy Kelly / Ireland in Québec, Traditional Music and Songs from Keith Corrigan and Jimmy Kelly. CD with Pdf file, 65p. Québec: Centre de valorisation du patrimoine vivant Ès-Trad, 2008.
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Stubley, Eleanor V., ed. Compositional Crossroads: Music, McGill, Montreal. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Matte, Isabelle. “Récit d’une Beauceronne en Irlande ou la découverte de ‘l’irlandicité’ des Québécois.” Cap-aux-Diamants No. 88 (Hiver 2007): 36–39. https://www.erudit.org/en/journals/cd/2007-n88-cd1044833/6967ac.pdf.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Joyce, Catherine. Artists of the Gatineau Hills. Chelsea, QC: Waneva Books, 2007.
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Ingraham, Mary I. “Something to Sing About : A Preliminary List of Canadian Staged Dramatic Music Since 1867.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 28, no. 1 (2007): 14–77. https://www.erudit.org/en/journals/is/2007-v28-n1-is2474/019291ar.pdf.
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Pelletier, Robert. “The Hybrid Organ at St. Paul’s Anglican in Abbotsford, Quebec.” ROS Quarterly Vol. 25, no. 2 (Summer 2006). http://www.reedsoc.org/articlearchive/Abbotsford.pdf.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Keillor, Elaine. Music in Canada : Capturing Landscape and Diversity. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Brott, Alexander, and Betty Nygaard King. My Lives in Music. Oakville, ON: Mosaic Press, 2005.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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