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Devlin, Jim. In Every Style of Passion: The Works of Leonard Cohen. London, UK: Omnibus Press, 1996.
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Berman, Anthony. “If You Could Read His Mind… A Subjectively-Objective Study of the Complete Works of Leonard Cohen.” Master’s Thesis, Université de Montréal, 1995.
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Beckwith, John. “Choral Music in Montreal Circa 1900: Three Composers.” University of Toronto Quarterly Vol. 63, no. 4 (Summer 1994): 504–517.
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Nadel, Ira Bruce. Leonard Cohen: A Life in Art. Toronto, ON: ECW Press, 1994.
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Berthiaume-Zavada, Claudette. “Le chant Ukrainien, une puissance qui défie les pouvoirs.” PhD dissertation, Université de Montréal, 1994.
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Fournier, Michael, and Ken Norris, eds. Take This Waltz: A Celebration of Leonard Cohen. Ste-Anne-de-Bellevue, QC: The Muses’ Co, 1994.
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Retzleff, Garry. “Un nouvel orgue pour la chapelle St. Mark.” Continuité, March 1993. https://www.erudit.org/en/journals/continuite/1993-n56-continuite1052632/17503ac.pdf.
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Raudsepp, Karl J. Organs of Montreal. Pointe Claire, QC: Orel Press, 1993.
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Adria, Marco L. “Leonard Cohen and the Word Made Flesh.” Master’s Thesis, Trent University, 1992.
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Gordon, Tom. “Music in Absentia: Bishop’s Faculty of Music, 1886-1947.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 11, no. 2 (1991): 33–50. https://www.erudit.org/en/journals/cumr/1991-v11-n2-cumr0439/1014106ar.pdf.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Désilets, Andrée. La Vie musicale à Sherbrooke, 1820-1989. Sherbrooke, QC: Société d’histoire de Sherbrooke, 1989.
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Lebel, Jean-Marie, Yves Beauregard, and Alyne Lebel. “Celui qui a éveillé Félix Leclerc.” Cap-aux-Diamants, Automne 1988. https://www.erudit.org/en/journals/cd/1988-v4-n3-cd1040880/7282ac.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Posen, Ira Sheldon. For Singing and Dancing and All Sorts of Fun: The Story of the Ottawa Valley’s Most Famous Song, The Chapeau Boys. Toronto, ON: Deneau, 1988.
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Cohen, Judith R. “Judeo-Spanish Songs in the Sephardic Communities of Montreal and Toronto: Survival, Function and Change.” PhD dissertation, Université de Montréal, 1988.
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Learo, Norman. “Music Teacher’s [Sic] Opinions and Utilization of Listening Activities at Selected Elementary and Secondary English Schools in Quebec.” Master’s Thesis, McGill University, 1987.
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MacDonald, Joan. “The Eastern Townships Conservatory of Music.” Stanstead Historical Society Journal Vol. 11 (1985): 35–38.
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Caccia, Fulvio. Sous le signe du phénix. Entretiens avec quinze créateurs italo-québécois. Montréal: Éditions Guernica, 1985.
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Whitehead, William. “Oscar Peterson’s Montreal Childhood in Saint-Henri.” CBC Digital Archives, February 16, 1983. https://www.cbc.ca/archives/entry/oscar-petersons-montreal-childhood-in-saint-henri.
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Posen, Ira Sheldon. “A Study of a Song and Its Community: ‘The Chapeau Boys.’” PhD dissertation, University of Pennsylvania, 1983.
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Davey, Earl. “The Development of Music Programmes in English-Language Universities in Central and Eastern Canada, 1960-1969.” PhD dissertation, University of Toronto, 1983.
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Cooper, Dorith Rachel. “Opera in Montreal and Toronto: A Study of Performance Traditions and Repertoire, 1783-1980.” PhD dissertation, University of Toronto, 1983. https://tspace.library.utoronto.ca/handle/1807/24930.
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Cohen, Judith R. “Judeo-Spanish Traditional Songs in Montreal and Toronto.” Canadian Folk Music Journal Vol. 10 (1982): 40–47.
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Wolff, Hellmuth. “L’orgue de la Salle Redpath de l’Université McGill.” In L’orgue à notre époque : Papers and Proceedings of the Symposium Held at McGill University, May 26-28, 1981, edited by Donald MacKay, 1–12. Montreal: McGill University, 1981.
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Rooney, Frances. “The Montreal Women’s Symphony.” Atlantis Vol. 5, no. 1 (Fall 1979): 70–82. http://journals.msvu.ca/index.php/atlantis/article/viewFile/4711/3942.
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Gagnon, Claude. “Leonard Cohen: Poet, Novelist and Pop Culture Hero: An Examination of the Artist, His Work and the Media.” Master’s Thesis, Concordia University, 1978. https://spectrum.library.concordia.ca/3594/1/MK46646.pdf.
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Skelton Grant, Judith. “Leonard Cohen’s Poems-Songs.” Studies in Canadian Literature / Études en littérature Canadienne Vol. 2, no. 1 (Winter 1977): 102–107. https://journals.lib.unb.ca/index.php/scl/article/view/7856/8913.
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