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Ackerman, Marianne. “Backstage with the British Garrison.” Matrix Vol. 28 (Spring 1989): 27–28.
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Nunn, Robert C. “The Interplay of Action and Set in the Plays of David Fennario.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 9, no. 1 (Spring 1988): 3–18. https://journals.lib.unb.ca/index.php/TRIC/article/view/7346.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Rewa, Natalie. “Garrison and Amateur Theatricals in Quebec City and Kingston During the British Regime.” PhD dissertation, University of Toronto, 1988.
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Fullerton, Carol W. “The Theatre Criticism of George Stewart, Jr.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 147–156. https://journals.lib.unb.ca/index.php/tric/article/view/7333/8392.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Simon, Sherry. “The Language of Difference: Minority Writers in Quebec.” Canadian Literature Supplement No. 1 (May 1987): 119–137.
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Ferry, Joan. “Experiences of a Pioneer in Canadian Experimental Theatre.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 8, no. 1 (Spring 1987): 43–50.
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Larrue, Jean-Marc. “L’activité théâtrale à Montréal de 1880 à 1914.” PhD dissertation, Université de Montréal, 1987.
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Frick, N. Alice. Image in the Mind: CBC Radio Drama 1944 to 1954. Toronto, ON: Canadian Stage and Arts Publications, 1987.
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Benson, Eugene, and L. W. Conolly. English Canadian Theatre. Toronto, ON: Oxford University Press, 1987.
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Whittaker, Herbert. “Whittaker’s Montreal: A Theatrical Autobiography, 1910-1949.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 233–331.
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Bains, Yashdip Singh. “Popular-Priced Stock Companies and Their Repertory in Montreal and Toronto in the 1890s.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 332–339.
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Wallace, Robert. “A Tale of Two Cities: Maurice Podbrey of Montreal’s Centaur Theatre and John Van Burek of Toronto’s Théâtre Du P’tit Bonheur Discuss Minority-Language Theatre.” Canadian Theatre Review No. 46 (Spring 1986): 6–20.
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Desson, Jim, and Bruce K. Filson. “Where Is David Fennario Now?” Canadian Theatre Review Vol. 46 (Spring 1986): 36–41.
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Ackerman, Marianne. “A Crisis of Vision: Anglophone Theatre in Montreal.” Canadian Theatre Review No. 46 (Spring 1986): 21–27.
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Vaïs, Michel. “Théâtre anglophone.” Jeu Vol. 38 (1986): 131–187.
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Poteet, Susan. “New Play Development in Quebec: A Matter of Voice.” Canadian Theatre Review No. 46 (1986): 28–35.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “Le théâtre anglo-québécois à l’heure du renouveau.” Jeu: Revue de théâtre Vol. 38 (1986): 131–135.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “La plus ancienne compagnie anglophone de Montréal : Andrew Johnston -- Youtheatre.” Jeu: Revue de théâtre Vol. 38 (1986): 158–160.
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Bains, Yashdip Singh. “Canadian Newspaper Reviews of Frederick Brown.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 20, no. 2 (Summer 1985): 150–158.
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Whittaker, Herbert. Whittaker’s Theatre : A Critic Looks at Stages in Canada and Thereabouts, 1944-1975. Edited by Roland Bryden and Boyd Neil. Greenbank, ON: Whittaker Project, 1985.
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Roux, Jean-Louis, Tom Hendy, and Michel Garneau. L’École: Le Premier Quart de Siècle de l’École Nationale de Théâtre Du Canada / The School: The First Quarter of a Century of the National Theater School of Canada. Montréal: Éditions internationales Alain Stanké, 1985.
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Communauté Urbaine de Montréal. Service de la planification. Répertoire d’architecture traditionnelle sur le territoire de la communauté urbaine de Montréal : architecture commerciale : Les magasins, les cinémas. Montréal: CUM, Service de la planification du territoire, 1985.
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Ackerman, Marianne. “Bridging the Two Solitudes: English and French Theatre in Quebec.” In Contemporary Canadian Theatre: New World Vision: A Collection of Essays, edited by Anton Wagner, 128–136. Toronto, ON: Simon & Pierre, 1985.
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Benazon, Michael. “From Griffintown to Verdun: A Study of Place in the Work of David Fennario.” Matrix No. 19 (Fall 1984): 25–34.
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Bains, Yashdip Singh, and Norma Jenckes. “Fanny Kemble and Charles Kemble: As Canadians Saw Them in 1833.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 5, no. 2 (Fall 1984): 115–131. https://journals.lib.unb.ca/index.php/tric/article/view/7436/8495.
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Collet, Paulette. “Fennario’s Balconville and Tremblay’s En pièces détachées : A Universe of Backyards and Despair.” Canadian Drama/L’art dramatique canadien Vol. 10, no. 1 (Spring 1984): 43–50.
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Rittenhouse, Jonathan. “Festival Lennoxville: An All-Canadian Story.” Canadian Drama/L’art dramatique canadien Vol. 10, no. 1 (1984): 84–114.
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Chassay, Jean-François. “Structures urbaines, structures textuelles : la ville chez Réjean Ducharme, David Fennario, Yolande Villemarie.” Master’s Thesis, Université de Montréal, 1984.
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