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Crosby, Joni S. “A History of the Evolution of the Teaching of Textiles and Weaving in Quebec Since 1905.” Master’s Thesis, Concordia University, 1987. http://spectrum.library.concordia.ca/4552/1/ML41656.pdf.
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Trépanier, Esther. “Les peintres juifs à Montréal dans l’Entre-deux-guerres.” Études canadiennes/Canadian Studies No. 21, no. Tome 1 (1986): 133–139.
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Paikowsky, Sandra, and Monique Nadeau-Saumier. Louis Muhlstock: New Themes and Variations, 1980-1985. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Malus, Avrum, Diane Allard, and Marie Van Sundert. “Frank Oliver Call, Eastern Townships Poetry, and the Modernist Movement.” Canadian Literature No. 107 (Winter 1985): 60–69. https://canlit.ca/wp-content/uploads/2015/09/CL107-Full-Issue.pdf.
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Société allemande / German Society / Deutsche Gesellschaft. Notre héritage allemand / German artists in Quebec / Deutschkanadische Kunst in Québec. Montréal: La Société, 1985.
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Nemiroff, Diana. “A History of Artist-Run Spaces in Canada, With Particular Reference to Véhicule, A Space and the Western Front.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4551.pdf.
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Morgan, Norma. “F. Cleveland Morgan and the Decorative Arts Collection in the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3233.pdf.
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Korman, Julie Beth. “Corporate Art Collecting in Canada.” Master’s Thesis, Concordia University, 1985.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Caccia, Fulvio. Sous le signe du phénix. Entretiens avec quinze créateurs italo-québécois. Montréal: Éditions Guernica, 1985.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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Smith, Frances K. Kathleen Moir Morris. Kingston, ON: Agnes Etherington Art Centre, 1983.
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Thomas, Stephanie A. “Frederick William Hutchison (1871 - 1953).” Master’s Thesis, Concordia University, 1982. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3314.pdf.
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McNaughton, Janet Elizabeth. “A Study of the CPR-Sponsored Quebec Folk Song and Handicraft Festivals, 1927-1930.” Master’s Thesis, Memorial University of Newfoundland, 1982. https://research.library.mun.ca/11022/1/McNaughton_JanetElizabeth.pdf.
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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Grigor, Angela Nairne. “Arthur Lismer: A Critical Analysis of His Pedagogy in Relation to His Use of the Project Method in Child-Centered Art Education.” Master’s Thesis, Concordia University, 1982. https://spectrum.library.concordia.ca/2572/1/MK58418.pdf.
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Déry, Louise. “L’influence de la critique d’art de John Lyman dans le milieu artistique québécois de 1936 à 1942.” Master’s Thesis, Université Laval, 1982.
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Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Varley, Christopher. The Contemporary Arts Society/La Société d’art Contemporain : Montréal, 1939-1948. Edmonton, AB: The Edmonton Art Gallery, 1980.
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Mingarelli, Giosafat (Jos). Gli Italiani di Montreal: note e profili. 3rd ed. Montreal: Centro italiano attività commerciali-artistiche, 1980.
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Gauthier, Ninon. “Le Dr Stern et la galerie Dominion.” Le Collectionneur Vol. 2, no. 2 (1980): 20–24.
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Edmonton Art Gallery. The Contemporary Arts Society, Montreal, 1939-1948/La Societe d’art Contemporain, Montréal, 1939-1948. Edmonton, AB: Edmonton Art Gallery, 1980.
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Dorais, Lucie. “James Wilson Morrice -- Peintre canadien (1865-1924) -- Les années de formation.” Master’s Thesis, Université de Montréal, 1980.
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Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980. https://www.klinkhoff.ca/blog/8239/.
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Baker, Victoria. L’art des Cantons de l’est : 1800-1950. Exposition à la Galerie d’art du Centre culturel, Université de Sherbrooke. Sherbrooke, QC: La Galerie, 1980.
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Nash, Joanna. “Montreal’s Powerhouse Gallery: The Evolution of a Woman’s Art Space.” Fireweed No. 3-4 (Summer 1979): 22–27.
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