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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Reid, Dennis. Krieghoff: Images of Canada. Vancouver and Toronto: Douglas & McIntyre; and Art Gallery of Ontario, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Baker, Victoria. “Establishing A Sense Of Community: Early Representations of the Eastern Townships.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est. No. 14 (1999): 19–32. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-5-Baker.pdf.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Béland, Mario. “Montréal vu par John P. Drake.” Cap-aux-Diamants No. 52 (Hiver 1998): 63. https://www.erudit.org/fr/revues/cd/1998-n52-cd1042789/8106ac.pdf.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Nadeau-Saumier, Monique. Bishop’s University Collection : An Art Compendium / La Collection de l’Université Bishop’s : Un Abrégé de I’art. Lennoxville, QC: Bishop’s University, 1998. https://www.ubishops.ca/wp-content/uploads/BU-Collection_an-Art-Compendium.pdf.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Nadeau-Saumier, Monique. “Frederick Simpson Coburn: The Human History of a Landscape.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 77–876.
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Belleau, Bernard. “Avant Walt Disney il y eut Palmer Cox.” Cap-aux-Diamants, Hiver 1997. https://www.erudit.org/fr/revues/cd/1997-n48-cd1042038/8219ac.pdf.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Sherman, Leah, and Stanley Horner. Children’s Art Classes at the Art Gallery of Montreal, Run by Arthur Lismer. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1997.
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Roza, Alexandria M. “Towards a Modern Canadian Art, 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott.” Master’s Thesis, McGill University, 1997. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ43942.pdf.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Vignola, Luce. “Essai de définition : les sculpteurs, statuaires et ornemanistes italiens à Montréal de 1862 à 1880.” Master’s Thesis, Université du Québec à Montréal, 1996.
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