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Lacroix, Laurier. “Berlin-Paris : George W. Hill et Lyonel Feininger Correspondants de Frederick S. Coburn.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 14 (Spring 1999): 79–91. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-7-Lacroix.pdf.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Baker, Victoria. “Establishing A Sense Of Community: Early Representations of the Eastern Townships.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est. No. 14 (1999): 19–32. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-5-Baker.pdf.
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Béland, Mario. “Montréal vu par John P. Drake.” Cap-aux-Diamants No. 52 (Hiver 1998): 63. https://www.erudit.org/fr/revues/cd/1998-n52-cd1042789/8106ac.pdf.
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Nadeau-Saumier, Monique. Bishop’s University Collection : An Art Compendium / La Collection de l’Université Bishop’s : Un Abrégé de I’art. Lennoxville, QC: Bishop’s University, 1998. https://www.ubishops.ca/wp-content/uploads/BU-Collection_an-Art-Compendium.pdf.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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Belleau, Bernard. “Avant Walt Disney il y eut Palmer Cox.” Cap-aux-Diamants, Hiver 1997. https://www.erudit.org/fr/revues/cd/1997-n48-cd1042038/8219ac.pdf.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Vignola, Luce. “Essai de définition : les sculpteurs, statuaires et ornemanistes italiens à Montréal de 1862 à 1880.” Master’s Thesis, Université du Québec à Montréal, 1996.
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Roome, Patricia. “Henrietta Muir Edwards: The Journey of A Canadian Feminist.” PhD dissertation, University of Calgary, 1996. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Chagnon, Joanne. “Le portrait de Sir James Henry Craig par Levi Stevens.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 58–63. http://jcah-ahac.concordia.ca/en/archive?page=6.
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Syrek, Barbara M. “Les archives photographiques Notman du Musée McCord.” Fontanus Vol. 7 (1994): 127–147. http://fontanus.mcgill.ca/article/view/100.
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Poulter, Gillian. “Representation as Colonial Rhetoric : The Image of ‘the Native’ and ‘the Habitant’ in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 16, no. 1 (1994): 10–29. http://jcah-ahac.concordia.ca/fr/archive/1994_16-1.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Duhamel, Serge. “George Heriot, auteur et artiste.” Cap-aux-Diamants No. 35 (Automne 1993): 67. https://www.erudit.org/en/journals/cd/1993-n35-cd1043067/8437ac.pdf.
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Belleau, Bernard. “‘Secure the Shadow Ere the Substance Fades’ : Les photographes itinérants dans les Cantons de l’Est.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 2 (printemps 1993): 29–41. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_02-5-Belleau.pdf.
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Hall, Roger, Gordon Dodds, and Stanley Triggs. The World of William Notman: The Nineteenth Century Through a Master Lens. Toronto: McClelland & Stewart, 1993.
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Béland, Mario. “De Berczy à Krieghoff : peintres étrangers au Bas-Canada, 1790-1850.” Vie des arts No. 149 (hiver -1993 1992): 10–17.
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Trudel, Jean. “Aux origines du Musée des beaux-arts de Montréal : la fondation de l’Art Association of Montreal en 1860.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. no, 1 (1992): 31–62. http://jcah-ahac.concordia.ca/fr/archive/1992_15-1.
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Triggs, Stanley G. Le Studio de William Notman. Objectif Canada/William Notman’s Studio. The Canadian Picture. Montreal: McCord Museum of Canadian History and McGill-Queen’s University Press, 1992.
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Béland, Mario, ed. Painting in Quebec, 1820-1850: New Views, New Perspectives. Québec: Musée du Québec, 1992.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Shtychno, Alexandra. “Luigi Giovanni Vitale Capello a.k.a. Cappello (1843-1902), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3622.pdf.
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Prioul, Didier. “Les paysagistes britanniques au Québec : de la vue documentaire à la vision poétique.” In La Peinture au Québec, 1820-1850: nouveaux regards, nouvelles perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec & Les Publications du Québec, 1991.
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Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
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Nicolai, Eric. “Portraits of Children in Quebec Art, 1800-1860.” Master’s Thesis, Université Laval, 1991. https://corpus.ulaval.ca/jspui/handle/20.500.11794/33467.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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