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Hurley, Erin. “Le théâtre de langue anglaise au Québec : de la majorité à la minorité.” Revue d’historiographie du théâtre Vol. 6, no. 1 (Mai 2021).
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Reid, Gregory J. “Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama.” Comparative Drama Vol. 35, no. 3–4 (2021): 291–318. https://scholarworks.wmich.edu/compdr/vol35/iss4/3.
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Dietze, Antje. “A Middleman’s Process : Booking and Managing Musical Theater Venues in Montreal from the 1880s to the First World War.” Journal of Urban History Vol. 47 (2020).
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Hurley, Erin. “Townships Theatres: Identities and Circuits, 1935-1982.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 15–35. http://www.etrc.ca/journal/jets-archive/.
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King, Jason. “Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec.” CLCWeb: Comparative Literature and Culture Vol. 18, no. 4 (2016): 8 pages. https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2907&context=clcweb.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Leroux, Louis Patrick. “Le combat de David Fennario contre l’inauthenticité.” Journal of Canadian Studies / Revue d’études canadiennes Vol. 46, no. 3 (Automne 2012): 81–104.
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Guay, Hervé. “Bref historique du multilinguisme dans le théâtre québécois.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 44–50.
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Vickery, Anthony. “Two Patterns of Touring in Canada: 1896 to 1914.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 31, no. 1 (2010): 1–19. http://journals.hil.unb.ca/index.php/tric/article/view/18281/19698.
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Margolis, Rebecca. “Ale Brider: Yiddish Culture in Montreal and New York City.” European Journal of Jewish Studies (EJJS) Vol. 4, no. 1 (2010): 137–164.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Galli Mastrodonato, Paola Irene. “Joe Beef: Irish Immigrants in My Theatre.” Il Tolomeo: Articoli, recensioni e inediti delle Nuove Letterature Vol. 1, no. 2 (1996): 5–7.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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Galli Mastrodonato, Paola Irene. “David Fennario: il ‘blues’ di un anglofono del Québec.” Linea d’ombra No. 108 (ottobre 1995): 44–49.
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Galli Mastrodonato, Paola Irene. “Intervista a David Fennario.” Rivista di Studi Canadesi Vol. 8 (1995): 135–144.
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Larrue, Jean-Marc. “Sur les scènes montréalaise.” Cap-aux-Diamants No. 35 (Automne 1993): 32–37.
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Wagner, Anton. “Le critique B.K. Sandwell du Montreal Herald durant la Belle Époque, 1900-1914.” Translated by Jean-Guy Laurin. L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 95–110. https://core.ac.uk/download/pdf/59339634.pdf.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Galli Mastrodonato, Paola Irene. “Lo ‘spleen’ metropolitano di David Fennario: un militante anglofono nel Québec degli anni ’70.” Rivista di Studi Canadesi Vol. 4 (1991): 43–52.
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Shortt, Mary. “Curtain Time in Canada.” The Beaver Vol. 70, no. 4 (September 1990): 6–15.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Jackson, John D., and Paul Millen. “English-Language Radio Drama: A Comparison of Central & Regional Production Units.” Canadian Journal of Communication Vol. 15, no. 1 (1990): 1–17. http://cjc-online.ca/index.php/journal/article/viewArticle/536.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Fullerton, Carol W. “The Theatre Criticism of George Stewart, Jr.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 147–156. https://journals.lib.unb.ca/index.php/tric/article/view/7333/8392.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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