Your search results
12 resources
-
Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
-
Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
-
English-language Arts Network. “A Market Access Strategy for Official Language Minority Community Artists in Quebec.” Last modified 2016. https://www.quebec-elan.org/wp-content/uploads/2016/08/Market-Access-Report-2016.pdf.
-
Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
-
Stevens, Lys. “Miss Swing: Ethel Bruneau from Harlem to Rockhead’s.” Quebec Heritage News, Winter 2013. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2013_layout_1_reduced.pdf.
-
Stevens, Lys. “Ethel Bruneau : Montreal’s Rhythm Tap Legend.” Dance Collection Danse, Fall 2011. https://www.dcd.ca/download/71DCDTheMagazine.pdf.
-
Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
-
Boivin, Jennifer. “From the Community to the World: Ukrainian Dance in Montréal.” Master’s Thesis, University of Alberta, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/AEU/TC-AEU-29828.pdf.
-
Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
-
De Lorimier, Élaine. “Eleanor Moore Ashton (1917 -) : la femme et son œuvre montréalaise.” Master’s thesis, Université du Québec à Montréal, 2000.
-
Hardt, Yvonne. “Writing Bodies: Modern Dance, Gender, and Jewish Identity in New York and Montreal, 1930 to 1960.” Essay, Concordia University, 1999.
-
McNaughton, Janet Elizabeth. “A Study of the CPR-Sponsored Quebec Folk Song and Handicraft Festivals, 1927-1930.” Master’s Thesis, Memorial University of Newfoundland, 1982. https://research.library.mun.ca/11022/1/McNaughton_JanetElizabeth.pdf.