Your search results
28 resources
-
Seward, Sara. “From the Outside In : Musical Heritage and Community in Valcartier.” Quebec Heritage News, Fall 2021.
-
Mouillot, François. “Industrial Isolation and Cultural Self-Exile: The Formation of an Independent Music Scene in Montreal.” In Geographically Isolated and Peripheral Music Scenes : Global Insights and Perspectives, edited by Christina Ballico, 133–156. Singapore: Palgrave Macmillan, 2021.
-
Mus, Francis. The Demons of Leonard Cohen. Ottawa, ON: University of Ottawa Press, 2020.
-
Huston, Lorne, and Marie-Thérèse Lefebvre. George M. Brewer et le milieu culturel anglophone montréalais, 1900-1950. Québec, QC: Septentrion, 2020.
-
Flamand, Guylaine. “Le Montreal Orchestra et la création de la Société des Concerts symphoniques de Montréal (1930 - 1941).” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Autumne 2018): 145–154. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069883ar.pdf.
-
Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
-
Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
-
Robineau, Anne. “La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations.” Recherches sociographiques Vol. 55, no. 3 (September 2014): 559–581. https://www.erudit.org/en/journals/rs/2014-v55-n3-rs01677/1028379ar.pdf.
-
Mok, Lucille Yehan. “Glenn Gould, Oscar Peterson, and New World Virtuosities.” PhD dissertation, Harvard University, 2014. http://dash.harvard.edu/bitstream/handle/1/13064972/Mok_gsas.harvard.inactive_0084L_11837.pdf?sequence=1.
-
Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
-
Burns, Patricia. Life on the Home Front: Montreal 1939-1945. Montreal: Véhicule Press, 2012.
-
Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
-
Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
-
Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
-
Lazar, Barry. “La culture anglophone à la conquête du Québec.” In L’Annuaire du Québec 2003 : toute l’année politique, sociale, économique et culturelle, edited by Michel Venne and Roch Côté, 135–140. Montréal: Fides, 2002.
-
Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
-
Young, David. “Céline Dion, the ADISQ Controversy, and the Anglophone Press in Canada.” Canadian Journal of Communication Vol. 24, no. 4 (Autumn 1999): 515–538. http://www.cjc-online.ca/index.php/journal/article/viewArticle/1124.
-
Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
-
Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
-
Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
-
Bourassa-Trépanier, Juliette, and Lucien Poirier. Répertoire des données musicales de la presse québécoise, tome 1 : 1764-1799. Québec: Presses de l’Université Laval, 1990.
-
Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
-
Lebel, Jean-Marie, Yves Beauregard, and Alyne Lebel. “Celui qui a éveillé Félix Leclerc.” Cap-aux-Diamants, Automne 1988. https://www.erudit.org/en/journals/cd/1988-v4-n3-cd1040880/7282ac.pdf.
-
Posen, Ira Sheldon. For Singing and Dancing and All Sorts of Fun: The Story of the Ottawa Valley’s Most Famous Song, The Chapeau Boys. Toronto, ON: Deneau, 1988.
-
Giles, Jennifer. “Music Consumption Among English-Speaking Teenage Girls in Montreal.” Master’s Thesis, Carleton University, 1987.
-
Posen, Ira Sheldon. “A Study of a Song and Its Community: ‘The Chapeau Boys.’” PhD dissertation, University of Pennsylvania, 1983.
-
Lortie, Léon. “The English Contribution to Quebec’s Cultural Life.” In Aux Sources Du Présent/The Roots of the Present. Études Présentées à La Section I de La Société Royale Du Canada/Studies Presented to Section I of the Royal Society of Canada, edited by Léon Lortie and Adrien Plouffe, 51–69. Toronto, ON: University of Toronto Press, 1960.
-
The Junior League of Montreal; The Jewish Junior Welfare League; La Ligue de la Jeunesse Féminine. The Arts in Montreal : Report of a Survey of Montreal’s Artistic Resources / Les Arts de Montréal : Rapport d’une Enquète Des Ressources Artistiques à Montréal. Montreal: Junior League of Montreal, 1956.