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Hurley, Erin. “Le théâtre de langue anglaise au Québec : de la majorité à la minorité.” Revue d’historiographie du théâtre Vol. 6, no. 1 (Mai 2021).
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Reid, Gregory J. “Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama.” Comparative Drama Vol. 35, no. 3–4 (2021): 291–318. https://scholarworks.wmich.edu/compdr/vol35/iss4/3.
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Dietze, Antje. “A Middleman’s Process : Booking and Managing Musical Theater Venues in Montreal from the 1880s to the First World War.” Journal of Urban History Vol. 47 (2020).
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Hurley, Erin. “Townships Theatres: Identities and Circuits, 1935-1982.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 15–35. http://www.etrc.ca/journal/jets-archive/.
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King, Jason. “Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec.” CLCWeb: Comparative Literature and Culture Vol. 18, no. 4 (2016): 8 pages. https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2907&context=clcweb.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Leroux, Louis Patrick. “Le combat de David Fennario contre l’inauthenticité.” Journal of Canadian Studies / Revue d’études canadiennes Vol. 46, no. 3 (Automne 2012): 81–104.
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Saint-Pierre, Christian. “Se rencontrer à mi-chemin. Entretien avec Denis Bernard.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 63–68.
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Guay, Hervé. “Bref historique du multilinguisme dans le théâtre québécois.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 44–50.
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Couture, Philippe. “Le multilinguisme scénique à Montréal : une écriture de plateau.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 58–63.
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Pelletier, Annie, and Tania Martin. “Holy Name Hall : Théâtre d’une vie paroissiale.” Continuité No. 129 (t 2011): 35–36.
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Vickery, Anthony. “Two Patterns of Touring in Canada: 1896 to 1914.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 31, no. 1 (2010): 1–19. http://journals.hil.unb.ca/index.php/tric/article/view/18281/19698.
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Margolis, Rebecca. “Ale Brider: Yiddish Culture in Montreal and New York City.” European Journal of Jewish Studies (EJJS) Vol. 4, no. 1 (2010): 137–164.
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Harvey, Douglas S. “Strolling Players in Albany, Montreal, and Quebec City, 1797 and 1810: Performance, Class, and Empire.” Studies in Eighteenth Century Culture Vol. 38 (2009): 237–260.
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Sprung, Guy. “Les Anglos enchaînés.” Jeu: Revue de théâtre Vol. 122, no. 1 (2007): 118–124.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (2ème partie).” Bulletin d’histoire politique Vol. 13, no. 3 (Printemps 2005): 123–145. https://www.erudit.org/en/journals/bhp/2005-v13-n3-bhp04189/1055068ar.pdf.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Reid, Gregory J. “David Fennario Turned Rhapsodist: The Re-Birth of the Author in Performance.” Essays in Theatre/Études Théâtrales Vol. 18, no. 1 (November 1999): 63–77.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Galli Mastrodonato, Paola Irene. “Joe Beef: Irish Immigrants in My Theatre.” Il Tolomeo: Articoli, recensioni e inediti delle Nuove Letterature Vol. 1, no. 2 (1996): 5–7.
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Larrue, Jean-Marc. “Le cinéma des premiers temps à Montréal et l’institution du théâtre.” Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies Vol. 6, no. 1 (Automne 1995): 119–131. https://www.erudit.org/revue/cine/1995/v6/n1/1000962ar.pdf.
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