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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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MacDonald, Colin S. A Dictionary of Canadian Artists. 8 vols. Ottawa, ON: Canadian Paperbacks, 1967. http://www.rcip-chin.gc.ca/application/aac-aic/description-about.app?lang=en.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Pageot, Édith-Anne. “Ambiguïtés de la réception critique de l’exposition « Canadian Women Artists », Riverside Museum, New York, 1947.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 27, no. 1–2 (2000): 123–134. https://www.erudit.org/fr/revues/racar/2000-v27-n1-2-racar05318/1069728ar.pdf.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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Warner, Mary Jane. “Anne Fairbrother Hill: ‘A Chaste and Elegant Dancer.’” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 12, no. 2 (Fall 1991): 169–191. https://journals.lib.unb.ca/index.php/TRIC/article/view/7264.
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McDougall, Anne. “Anne Savage.” Vie des arts Vol. 21, no. 86 (1977): 50–53.
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Sherman, Leah. Anne Savage. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2002.
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Sherman, Leah. “Anne Savage : A Study of Her Development as an Artist/Teacher in the Canadian Art World, 1925-1950.” In Histories of Art and Design Education : Cole to Coldstream. Burnt Mill, Harlow, Essex, England: Longman in association with the National Society for Education in Art and Design, 1992.
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Braide, Janet. Anne Savage : Sa Vision de La Beauté/Anne Savage : Her Expression of Beauty. Montreal: Montreal Museum of Fine Arts/Musée des beaux-arts de Montréal, 1979.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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McDougall, Anne. Anne Savage: The Story of a Canadian Painter. Montreal: Harvest House, 1977.
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Fontein, Rosina. “Annie G. McDougall, Québec.” Canadian Woman Studies / Les cahiers de la femme Vol. 2, no. 3 (1980): 11.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Laflamme, Claude. Betty Goodwin : Heart and Soul / Betty Goodwin: Le Coeur à l’âme. DVD, Documentary. Groupe ECP, 2003.
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Racine, Yolande. Betty Goodwin, Oeuvres de 1971 à 1987/Works from 1971 to 1987. Montréal: Musée des Beaux-arts de Montréal/Montreal Museum of Fine Arts, 1987.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto, ON: Viking, 1992.
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Ferrari, Pepita, and Erna Buffie. By Woman’s Hand. Animations Piché Ferrari in co-production with Studio B, National Film Board of Canada, 1994.
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