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Pezzarello, Christopher Joseph. “‘You Have Sweetened Your Word’: Sincerity and Prayer in Leonard Cohen’s Book of Mercy.” Master’s Thesis, McGill University, 1997. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/MQ29507.pdf.
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Wilson, John. “Wilson’s Westernaires : Square Dancing in the Chateauguay Valley.” Quebec Heritage News, Winter 2022.
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Friedman, Matti. Who By Fire: War, Atonement, and the Resurrection of Leonard Cohen. Toronto, ON: McClelland & Stewart, 2022.
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Bezalel, Ronit. When Shirley Met Florence: The Story of a Remarkable Friendship. National Film Board of Canada, 1994.
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Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
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Robillard-Cardinal, Laurent. “Vous souvenez-vous du son des cloches? Que reste-t-il des clochers d’Aylmer?” Histoire Québec Vol. 22, no. 4 (2017): 31–32.
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Desjardins, Marie. Vic Vogel : histoires de jazz. Montréal: Éditions du CRAM, 2013.
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Nadel, Ira Bruce. Various Positions: A Life of Leonard Cohen. Toronto, ON: Random House of Canada, 1996.
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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Lazar, Barry. Underestimated Importance: Anglo-Quebec Culture. Montreal: Synercom Téléproductions et Institut national de la recherche Scientifique, Urbanisation, Culture et Société, 2001.
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Retzleff, Garry. “Un nouvel orgue pour la chapelle St. Mark.” Continuité, March 1993. https://www.erudit.org/en/journals/continuite/1993-n56-continuite1052632/17503ac.pdf.
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Nadeau-Saumier, Monique. “Un lieu de rencontre entre deux communautés : La première bibliothèque publique à Sherbrooke.” Cap-aux-Diamants No. 121 (Printemps 2015): 21–24. https://www.erudit.org/fr/revues/cd/2015-n121-cd01896/78025ac.pdf.
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Nadeau-Saumier, Monique. Un espace et un lieu de culture : le Art Building de Sherbrooke 1887-1927. Sherbrooke, QC: GGC Éditions, 2008.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
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Stahl, Geoff. “Troubling Below: Rethinking Subcultural Theory.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-20474.pdf.
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Cohalan, Kevin. “Trajet de jeunesse d’une artiste de renommée modiale. Maureen Forrester, fille de la rue Fabre.” Bulletin de la Société d’histoire et de généalogie du Plateau-Mont-Royal Vol. 10, no. 1 (Printemps 2015): 13.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Péan, Stanley. Toute la ville en Jazz. Montréal: Éditions Trait d’union, 1999.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Nonnekes, Paul. Three Moments of Love in Leonard Cohen and Bruce Cockburn: Desire, Love and Politics, from the Masculine Perspective. Montreal: Black Rose Press, 2000.
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Darch, Heather. “The Whistling Chautauqua Girl.” Quebec Heritage News, Winter 2024.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Rasky, Harry. The Song of Leonard Cohen: Portrait of a Poet, a Friend and a Film. Oakville, ON: Mosaic Press, 2001.
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Thompson, Harrell Jerome. “The Relationship of Physical and Spiritual Love in the Work of Leonard Cohen.” Master’s thesis, Texas Tech University, 1972. https://ttu-ir.tdl.org/ttu-ir/bitstream/handle/2346/21523/31295008598467.pdf?...1.
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Patterson, Glenn. “’The Prospector’s Last Letter’ : A Gaspesian Ballad and Other Songs of Wilbert Coffin.” Canadian Folk Music, Spring/Summer 2016. http://www.canfolkmusic.ca/index.php/cfmb/article/view/762/746.
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Jantzen, Dorothy Helen. “The Poetry of Leonard Cohen - ‘His Perfect Body.’” Master’s Thesis, York University, 1971.
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Ó hAllmhuráin, Gearóid. “The Place of Sound – The Sound of Place: Irish Music and Cultural Memory in Rural Quebec.” In Ireland and Quebec: Multidisciplinary Perspectives on History, Culture and Society, edited by Margaret Kelleher and Michael Kenneally, 183–196. Dublin, Ireland: Four Courts Press, 2016.
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