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19 resources
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Williams, Dorothy W. “Soirées Éthiopiennes : Blackface Culture in Quebec.” Canadian Diversity/Diversité canadienne Vol. 16, no. 3 (2019): 26–30. https://www.ciim.ca/img/boutiquePDF/canadiandiversity-vol16-no3-2019-v2-m8007.pdf.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Poirier, Lucien. “La musique au fil de la presse québécoise dans les belles années du régime anglais.” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Automne 2018): 71–82. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069877ar.pdf.
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Roquigny, Peggy. “La danse pour tout un chacun : pratiques différenciées d’un loisir commercial à Montréal pendant l’entre-deux-guerres.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 16, no. 1 (automne 2015): 21–61. https://www.erudit.org/en/journals/mens/2015-v16-n1-mens02948/1038983ar.pdf.
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Winders, Jason. “Ahab in the Batter’s Box.” Nine: A Journal of Baseball History & Culture Vol. 22, no. 2 (Spring 2014): 85–107.
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Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
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Nigam, Sunita. “Not Just for Laughs: Sugar Sammy, Stand-up Comedy, and National Performance.” Québec Studies (Winter , Special Issue 2013): 117–133.
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Nadeau-Saumier, Monique. “Le Sherbrooke Library and Art Building, 1887-1927 : un espace et un lieu de rencontre entre les cultures anglophone et francophone.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 38 (Printemps 2012): 33–49. http://www.etrc.ca/journal/jets-archive/.
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Roquigny, Peggy. “Loisirs dansants de la bourgeoisie anglo-montréalaise. Transformation et persistance des lieux de pratique, 1870-1940.” Urban History Review/Revue d’histoire urbaine Vol. 40, no. 1 (October 2011): 17–29. http://www.erudit.org/revue/uhr/2011/v40/n1/1006403ar.pdf.
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Harvey, Douglas S. “Strolling Players in Albany, Montreal, and Quebec City, 1797 and 1810: Performance, Class, and Empire.” Studies in Eighteenth Century Culture Vol. 38 (2009): 237–260.
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Dombowsky, Philip. “C. Howard Crane’s Allen Theatres.” Marquee: The Journal of the Theatre Historical Society of America Vol. 41, no. 3 (Third-Quarter 2009): 7–23.
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Pelletier, Louis. “An Experiment in ‘Historically Correct’ Canadian Photoplays: Montreal’s British American Film Manufacturing Co.” Film History Vol. 19 (2007): 34–48.
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Webster, David. “Islam and Cold War Modernization in the Formative Years of the McGill Institute of Islamic Studies.” International Journal of Canadian Studies/Revue internationale d’études canadienne Issue 32 (2005): 15–44.
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Murphy, Peter. “The Eaton’s Toyville Trains.” Canadian Rail: The Magazine of Canada’s Railway Heritage No. 509 (2005): 207–223.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20. https://www.erudit.org/en/journals/uhr/2004-v32-n2-uhr0585/1015713ar.pdf.
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Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Saint-Pierre, Jocelyn. “Les écoles juives et les débats parlementaires de l’Assemblée Législative du Québec.” Canadian Jewish Studies/Études juives canadiennes Vol. 9 (2001): 210–250. http://cjs.journals.yorku.ca/index.php/cjs/article/view/19933/18637.