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Nigam, Sunita, and Fabian Will. “Black in the Townships : Exhibit Research Grapples with Uncomfortable Truths and Fragmented Archives.” Quebec Heritage News, Winter 2022.
Nantel, Sarah. “Shalom Montreal: Stories and Contributions of the Jewish Community, McCord Museum.” Archivaria: The Journal of the Association of Canadian Archivists No. 86 (Fall 2018): 192–197. https://archivaria.ca/index.php/archivaria/article/view/13650/15051.
Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
Minnett, Valerie. “Inside and Outside: Pathology, Architecture and the Domestic Environment at the Montreal Tuberculosis Exhibition, 1908.” Project report, School of Architecture, McGill University, McGill University, 2004.
Miller, Pamela. Les Archives Du Musée McCord/The McCord Museum Archives. Montreal: McGill-Queen’s University Press for Musée McCord d’histoire canadienne / McCord Museum of Canadian History, 1992.
McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
Lerner, Loren. “The Aron Museum at Temple Emanu-El-Beth Sholom in Montreal.” Material Culture Review/Revue d’histoire de la culture matérielle Vol. 64 (Fall 2006): 8–19. https://journals.lib.unb.ca/index.php/MCR/article/view/18069.
Landry, Pierre. Melvin Charney. Montréal: Musée d’art contemporain, 2002.
Kuntz, Harry. “Science Culture in English-Speaking Montreal, 1815-1842.” PhD dissertation, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-979513.pdf.
Hill, Charles C. Canadian Painting in the Thirties. Ottawa, ON: National Gallery of Canada, 1975.
Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
Heaman, Elsbeth. “Commercial Leviathan: Central Canadian Exhibitions At Home and Abroad During the Nineteenth Century.” PhD dissertation, University of Toronto, 1996.
Gagnon, Hervé. Divertir et instruire. Les musées de Montréal au XIXe siècle. Sherbrooke, QC: G.G.C. Éditions, 1999.
Gagnon, Hervé. “Divertissement et patriotisme : la genèse des musées d’histoire à Montréal au XIXe siècle.” Revue d’histoire de l’Amérique française Vol. 48, no. 3 (Hiver 1995): 317–349. http://www.erudit.org/revue/haf/1995/v48/n3/305348ar.pdf.
Gagnon, Hervé. “The Natural History Society of Montreal’s Museum and the Socio-Economic Significance of Museums in 19th- Century Canada.” Scientia Canadensis Vol. 18, no. 2 (1994): 103–135. https://www.erudit.org/en/journals/scientia/1994-v18-n2-scientia3233/800382ar.pdf.
Gagnon, Hervé. “L’évolution des musées accessibles au public à Montréal au XIXe siècle : capitalisme culturel et représentations idéologiques.” PhD dissertation, Université de Montréal, 1994.
Gagnon, Hervé. “Des animaux, des hommes et des choses : les expositions au Bas-Canada dans la première moitie du XIXe siècle.” Histoire sociale/Social History Vol. 26, no. 52 (Novembre1993): 291–327. https://hssh.journals.yorku.ca/index.php/hssh/article/view/16515/15374.
Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
Duchesne, Raymond, and Paul Carle. “L’ordre des choses : cabinets et musées d’histoire naturelle au Québec (1824-1900).” Revue d’histoire de l’Amérique française Vol. 44, no. 1 (t 1990): 3–30. https://www.erudit.org/en/journals/haf/1990-v44-n1-haf2390/304861ar.pdf.
Drouin, Daniel. “Les meubliers du Québec aux expositions provinciales internationales et universelles (1850-1900).” Master’s Thesis, Université Laval, 1993. https://corpus.ulaval.ca/jspui/bitstream/20.500.11794/33516/1/11817.pdf.
Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
de Andrade, Marie-Maxime. “The Exhibition of Art in Montreal’s Department Stores, 1900–1945.” Master’s Thesis, Carleton University, 2018. https://curve.carleton.ca/310b4284-4b82-4796-b7cf-e8f8343536a5.
Cooke, W. Martha E. The Last “Lion” : Rambles in Quebec with James Pattison Cockburn Incorporating Quebec and Its Environs, a Reproduction of the 1831 Guidebook Attributed to J.P. Cockburn. Kingston, ON: Agnes Etherington Art Centre, 1978.
Constant, Jean-François. “Les expositions agricoles et industrielles à Montréal entre 1880 et 1884.” Master’s Thesis, Université de Montréal, 2004. https://papyrus.bib.umontreal.ca/xmlui/handle/1866/14823.
Brooke, Janet M., Nicole Cloutier, Elizabeth H. Kennell, and Monique Nadeau-Saumier. La Collection Frederick Simpson Coburn. Sherbrooke, Qué: Musée des beaux-arts, 1996.
Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.