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Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
Southam, Chloë. “Through the Looking Glass : One Hundred Years of Women’s History in the Eastern Townships.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 37 (Fall 2011): 171–176. http://www.etrc.ca/journal/jets-archive/.
Vigo, Laura. “Then and Now: On Activating Sikh Visual and Material Culture at the Montreal Museum of Fine Arts (MMFA).” Sikh Research Journal Vol. 8, no. 1 (Spring 2023): 57–76. https://sikhresearchjournal.org/wp-content/uploads/articles/SRJ-V8N1-Spring2023-4_L_Vigo_Then_and_Now_57-76.pdf.
Gagnon, Hervé. “The Natural History Society of Montreal’s Museum and the Socio-Economic Significance of Museums in 19th- Century Canada.” Scientia Canadensis Vol. 18, no. 2 (1994): 103–135. https://www.erudit.org/en/journals/scientia/1994-v18-n2-scientia3233/800382ar.pdf.
Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
Argon, George P. “The McCord Family, a Passionate Vision: An Analysis of Artifacts and Their Meaning.” Research paper, Concordia University, 1998.
Young, Brian. The Making and Unmaking of a University Museum: The McCord, 1921-1996. Montreal-Kingston: McGill-Queen’s University Press, 2000.
Cooke, W. Martha E. The Last “Lion” : Rambles in Quebec with James Pattison Cockburn Incorporating Quebec and Its Environs, a Reproduction of the 1831 Guidebook Attributed to J.P. Cockburn. Kingston, ON: Agnes Etherington Art Centre, 1978.
de Andrade, Marie-Maxime. “The Exhibition of Art in Montreal’s Department Stores, 1900–1945.” Master’s Thesis, Carleton University, 2018. https://curve.carleton.ca/310b4284-4b82-4796-b7cf-e8f8343536a5.
Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
Lerner, Loren. “The Aron Museum at Temple Emanu-El-Beth Sholom in Montreal.” Material Culture Review/Revue d’histoire de la culture matérielle Vol. 64 (Fall 2006): 8–19. https://journals.lib.unb.ca/index.php/MCR/article/view/18069.
Pepall, Rosalind. Talking to a Portrait : Tales of an Art Curator. Montreal: Véhicule Press, 2020.
Sicotte, Hélène. “Suzor-Coté chez W. Scott & Sons de Montréal : Du rôle de l’éxposition particulière dans la consécreation d’une carrière d’artiste.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 26 (2005): 108–126. http://jcah-ahac.concordia.ca/en/archive?page=4.
Strong, David Calvin. “Sidney Carter (1880-1956) and the Politics of Pictorialism.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-78.pdf.
Nantel, Sarah. “Shalom Montreal: Stories and Contributions of the Jewish Community, McCord Museum.” Archivaria: The Journal of the Association of Canadian Archivists No. 86 (Fall 2018): 192–197. https://archivaria.ca/index.php/archivaria/article/view/13650/15051.
Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
Kuntz, Harry. “Science Culture in English-Speaking Montreal, 1815-1842.” PhD dissertation, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-979513.pdf.
Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
Valliant, Lois, and Sandra Paikowsky. Robert Ayre : The Critic and the Collection / Le Critique Face à La Collection. Translated by Monique Nadeau-Saumier. Montreal: Concordia Art Gallery, Concordia University, 1992.
Wright, Donald A. “Remembering War in Imperial Canada: David Ross McCord and The McCord National Museum.” Fontanus Vol. 9 (1996): 97–104. http://fontanus.mcgill.ca/article/view/139.
Strong, David Calvin. “Photography Into Art: Sidney Carter’s Contribution to Pictorialism.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 6–27. http://jcah-ahac.concordia.ca/fr/archive/1996_17-2.
Simard, Cyril, Andrée Lapointe, and Corneliu Kirjan. Patrimoine muséologique au Québec : repères chronologiques. Québec: Gouvernement du Québec, Commission des biens culturels du Québec, 1992.
Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
Landry, Pierre. Melvin Charney. Montréal: Musée d’art contemporain, 2002.
Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.