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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
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Sprung, Guy. “Les Anglos enchaînés.” Jeu: Revue de théâtre Vol. 122, no. 1 (2007): 118–124.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (2ème partie).” Bulletin d’histoire politique Vol. 13, no. 3 (Printemps 2005): 123–145. https://www.erudit.org/en/journals/bhp/2005-v13-n3-bhp04189/1055068ar.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Ackerman, Marianne. “A Crisis of Vision: Anglophone Theatre in Montreal.” Canadian Theatre Review No. 46 (Spring 1986): 21–27.
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Vaïs, Michel. “Théâtre anglophone.” Jeu Vol. 38 (1986): 131–187.
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Poteet, Susan. “New Play Development in Quebec: A Matter of Voice.” Canadian Theatre Review No. 46 (1986): 28–35.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “Le théâtre anglo-québécois à l’heure du renouveau.” Jeu: Revue de théâtre Vol. 38 (1986): 131–135.
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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “La plus ancienne compagnie anglophone de Montréal : Andrew Johnston -- Youtheatre.” Jeu: Revue de théâtre Vol. 38 (1986): 158–160.
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Bains, Yashdip Singh, and Norma Jenckes. “Fanny Kemble and Charles Kemble: As Canadians Saw Them in 1833.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 5, no. 2 (Fall 1984): 115–131. https://journals.lib.unb.ca/index.php/tric/article/view/7436/8495.
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Blaise, Clark. “Portrait of the Artist as Young Pup.” Canadian Literature No. 100 (1984): 35–41. http://cinema2.arts.ubc.ca/units/canlit/pdfs/articles/canlit100-Portrait(Blaise).pdf.
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