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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Meadowcroft, Barbara. Painting Friends: The Beaver Hall Women Painters. Montreal: Véhicule Press, 1999.
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McLeod, Ellen Mary Easton. In Good Hands: The Women of the Canadian Handicrafts Guild. Montreal and Kingston: Published for Carleton University by McGill-Queens University Press, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Meadowcroft, Barbara. “How Many Artists Are There In The Family? The Career of Montreal Painter Regina Seiden (1897-1991).” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 73–83.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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Roome, Patricia. “Henrietta Muir Edwards: The Journey of A Canadian Feminist.” PhD dissertation, University of Calgary, 1996. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Hodges, Margaret. “Sigrun Bulow-Hube: Scandinavian Modernism in Canada.” Master’s Thesis, Concordia University, 1996. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-152.pdf.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Grafftey, Heward. Portraits From a Life. Montreal: Véhicule Press, 1996.
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Aylen, Marielle. “Interfaces of the Portrait: Liminality and Dialogism in Canadian Women’s Portraiture between the Wars.” Master’s Thesis, Carleton University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp04/MQ26894.pdf.
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L’Allier, Pierre. “L’art au féminin au Québec : Femmes artistes du siècle adolescent.” Continuité, Hiver 1995. https://www.erudit.org/en/journals/continuite/1995-n63-continuite1052593/17292ac.pdf.
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Meadowcroft, Barbara. Lilias Torrance Newton, 1896-1980: Retrospective Exhibition, September 9-23 1995 / Lilias Torrance Newton, 1896-1980: Exposition Rétrospective, 6-23 Septembre 1995. Montreal: Galerie Walter Klinkhoff, 1995.
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McLeod, Ellen Mary Easton. “Enterprising Women and the Early History of the Canadian Handicrafts Guild, 1905-1936.” Master’s Thesis, Carleton University, 1995. https://curve.carleton.ca/4eb5c1d8-c457-44bf-9aff-378fc39a8836.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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