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21 resources
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Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
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Voldřichová Beránková, Eva. “Symbiose ou ‘solitude à trois’ ? Le théâtre yiddish à Montréal face aux communautés francophone et anglophone.” In Kanade, di Goldene Medine? : Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la litterature et la culture juives canadiennes, edited by Krzysztof Majer, Justyna Fruzińska, Józef Kwaterko, and Norman Ravvin, 205–217. Leiden, The Netherlands & Boston, MA: Brill, 2019.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Huston, Lorne. “L’orthodoxie à l’épreuve du temps : la critique dramatique chez Samuel Morgan-Powell (1913-1953).” In Espaces critiques. Écrire sur la littérature et les autres arts au Québec (1920-1960), edited by Karine Cellard and Vincent Lambert, 35–49. Québec: Les Presses de l’Université Laval, 2018.
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Huston, Lorne. “Le traitement des informations culturelles dans le Montreal Daily Star et The Gazette, 1919-1939.” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 40–50. Québec: Septentrion, 2016.
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Dufresne, Sylvie. “Le Théâtre Royal de la rue Côté : 1851-1913.” In Travaux et conférences, 1975-1979, edited by Groupe de recherche en arts populaires, 67–170. Montréal: Département d’histoire de l’art, UQAM, 1979.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Graham, Catherine. “La théâtre anglophone au Québec.” In Le théâtre québécois, edited by Dominique Lafon, X:407–424. Ottawa: Fides, 2001.
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Moss, Jane. “Immigrant Theater: Traumatic Departures and Unsettling Arrivals.” In Textualizing the Immigrant Experience in Contemporary Quebec, edited by Susan Ireland and Patrice J. Proulx, 65–81. Westport, CT: Praeger, 2004.
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Margolis, Rebecca. “Holocaust and Post-Holocaust Yiddish Theatre in Montreal: A Canadian Response to Catastrophe.” In Leket: Yidishe Shtudyes Haynt/Leket: Jiddistik Heute/Leket: Yiddish Studies Today, edited by Marion Aptroot, 525–540. Düsseldorf, Germany: Düsseldorf University Press, 2012. https://docserv.uni-duesseldorf.de/servlets/DerivateServlet/Derivate-23711/cuknya6h/Leket_ganz_A.pdf.
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Harvie, Jennifer, and Richard Paul Knowles. “Herbert Whittaker, Reporting From the Front: Montreal Gazette (1937-1949) and the Globe and Mail (1949-1975).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 215–233. Toronto: University of Toronto Press, 1999.
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Godin, Jean-Cléo. “Foreign Touring Companies and the Founding of Theatres in Quebec, 1880-1900 and 1930-1950.” In Theatrical Touring and Founding in North America, edited by Leonard William Conolly, 89–100. Westport, CT: Greenwood Press, 1982.
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Lieblein, Leanore. “Establishing Contact Between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987.” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 371–385. Toronto: University of Toronto Press, 1999.
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Huston, Lorne. “‘Empire’ et ‘Nation’ dans le regard du Montreal Star sur la scène dramatique francophone : Les chroniques de Samuel Morgan-Powell (1913-1953).” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 167–194. Québec: Septentrion, 2016.
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Page, Malcolm. “David Fennario’s Balconville: Document and Message.” In On-Stage and Off-Stage : English Canadian Drama in Discourse, edited by Albert-Reiner Glapp and Rolf Althof. St. John’s, NL: Breakwater, 1995.
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Robert, Lucie. “Chronique de la vie théâtrale.” In La Vie culturelle à Montréal vers 1900, edited by Micheline Cambron, 71–86. Montréal: Fides et Bibliothèque nationale du Québec, 2005.
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Hurley, Erin. “Changing States: The Well-Being of English Language Theater in Quebec.” In Theater and Human Flourishing, edited by Harvey Young, 154–177. New York, NY: Oxford University Press, 2023.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Larrue, Jean-Marc. “Cent huit ans de théâtre yiddish : l’exception montréalaise.” In New Readings of Yiddish Montreal/Traduire le Montréal yiddish/Taytshn un ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 45–56. Ottawa: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
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Ackerman, Marianne. “Bridging the Two Solitudes: English and French Theatre in Quebec.” In Contemporary Canadian Theatre: New World Vision: A Collection of Essays, edited by Anton Wagner, 128–136. Toronto, ON: Simon & Pierre, 1985.