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5 resources
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Bloom, Myra. “The Trope of the Translator: (Re)Writing History in Heather O’Neill’s The Girl Who Was Saturday Night and Claire Holden Rothman’s My October.” Canadian Literature : A Quarterly of Criticism and Review No. 233 (Summer 2017): 51–68, 184.
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Ballantyne, Emily. “Colonial Cosmopolitanism? Resistance, Aesthetics, and Modernism in Patrick Anderson’s Prose.” Canadian Literature/Littérature canadienne No. 233 (Summer 2017): 89–106.
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Gasztold, Brygida. “Montreal Jews, Eastern European Survivors, and the Intergenerational Legacy of the Holocaust in Nancy Richler’s The Imposter Bride.” TransCanadiana : Polish Journal of Canadian Studies / Revue Polonaise d’Études Canadienne Vol. 9 (2017): 152–168. http://www.ptbk.org.pl/userfiles/file/TransCanadiana/TransCanadiana_9_2017_cover.pdf#page=153.
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Beránková, Eva Voldřichová. “‘Identités mosaïques’, écritures d’immigration : le phénomène des écrivains juifs de Montréal.” Études romanes de Brno Vol. 38, no. 1 (2017): 35–43.
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Acerenza, Gerardo. “Les Italiens de Montréal, la Seconde Guerre mondiale et le fascisme : transferts culturels et littéraires.” TransCanadiana : Polish Journal of Canadian Studies / Revue Polonaise d’Études Canadienne Vol. 9 (2017): 169–185. http://www.ptbk.org.pl/userfiles/file/TransCanadiana/TransCanadiana_9_2017_cover.pdf#page=170.