Your search results
172 resources
Page 1 of 6
-
Watchtel, Wendy, ed. There Is A Voice: A Collection of English Poetry and Photography by Montreal Women. New York, NY: Angle Lightning Press, 1978.
-
Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
-
Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
-
Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
-
Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
-
Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
-
Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
-
Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
-
Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
-
Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
-
Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
-
Aylen, Marielle. “Interfaces of the Portrait: Liminality and Dialogism in Canadian Women’s Portraiture between the Wars.” Master’s Thesis, Carleton University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp04/MQ26894.pdf.
-
Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
-
Baker, Victoria. L’art des Cantons de l’est : 1800-1950. Exposition à la Galerie d’art du Centre culturel, Université de Sherbrooke. Sherbrooke, QC: La Galerie, 1980.
-
Beaudet, Pascale. “La galerie Powerhouse : réflexion sur dix années d’existence.” Master’s Thesis, Université de Montréal, 1984.
-
Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
-
Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
-
Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
-
Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
-
Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
-
Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
-
Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
-
Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
-
Braide, Janet. Anne Savage : Sa Vision de La Beauté/Anne Savage : Her Expression of Beauty. Montreal: Montreal Museum of Fine Arts/Musée des beaux-arts de Montréal, 1979.
-
Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980.
-
Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
-
Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
-
Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
-
Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
-
Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
Page 1 of 6