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Strong, David Calvin. “Sidney Carter (1880-1956) and the Politics of Pictorialism.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-78.pdf.
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Hall, Roger, Gordon Dodds, and Stanley Triggs. The World of William Notman: The Nineteenth Century Through a Master Lens. Toronto: McClelland & Stewart, 1993.
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Triggs, Stanley G. Le Studio de William Notman. Objectif Canada/William Notman’s Studio. The Canadian Picture. Montreal: McCord Museum of Canadian History and McGill-Queen’s University Press, 1992.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Kish, Albert. Notman’s World. Documentary. National Film Board of Canada, 1989. http://www.nfb.ca/film/notmans_world.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Bara, Jana L. “Furs in Fashion as Illustrated in the Photo-Portraiture of William Notman in the 1860’s.” Master’s Thesis, Concordia University, 1986. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3340.pdf.
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Triggs, Stanley. William Notman: The Stamp of a Studio. Toronto: Art Gallery of Ontario, 1985.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Kollar, Kathryn L. “John Arthur Fraser, 1838-1898.” Master’s Thesis, Concordia University, 1981. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3549.pdf.
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Cloutier, Nicole. “Les disciples de Daguerre à Québec.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 5, no. 1 (1980): 33–38. http://jcah-ahac.concordia.ca/en/archive/5.
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Reid, Dennis. “Our Own Country Canada”: Being an Account of the National Aspirations of the Principal Landscape Artists in Montreal and Toronto, 1860-1890. Ottawa, ON: The National Gallery of Canada for the Corporation of the National Museums of Canada, 1979.
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Greenhill, Ralph, and Andrew Birrell. Canadian Photography, 1839-1920. Toronto, ON: Coach House Press, 1979.
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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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