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14 resources
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
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Wright, Jr, James R., Richard Fraser, Annmarie Adams, and Mary Hunter. “Portraying Maude Abbott.” Canadian Medical Association Journal/Journal de l’Association médicale canadienne Vol. 189, no. 7 (February 21, 2017): E281–E283. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5318216/.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
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Trépanier, Esther. “In Memoriam. Hommage à Marian Dale Scott, 1906-1993/A Tribute to Marian Dale Scott, 1906-1993.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. 2 (1993): 68–96. http://jcah-ahac.concordia.ca/fr/archive/1993_15-2.
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Marcil, Madeleine. “Images de femmes: Les Québécoises photographes.” Cap-aux-Diamants No. 21 (Printemps 1990): 39–41. https://www.erudit.org/en/journals/cd/1990-n21-cd1040271/7595ac.pdf.
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Urschel, Katrin. “From the ‘White Lily’ to the ‘King Frog in a Puddle’: A Comparison of Confederation and Multiculturalism in Irish-Canadian Literature.” International Journal of Canadian Studies/Revue internationale d’études canadiennes Vol. 43, no. 1 (2011): 45–65. http://www.erudit.org/revue/ijcs/2011/v/n43/1009454ar.pdf.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Frédette, Julie. “De la lecture à la bibliophilie : Villeneuve Publications ou l’édition artisanale anglo-québécoise.” Mémoires du livre / Studies in Book Culture Vol. 1, no. 2 (2010): 1–23. https://www.erudit.org/en/journals/memoires/2010-v1-n2-memoires3876/044207ar/.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Warner, Mary Jane. “Anne Fairbrother Hill: ‘A Chaste and Elegant Dancer.’” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 12, no. 2 (Fall 1991): 169–191. https://journals.lib.unb.ca/index.php/TRIC/article/view/7264.