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McInnes, G. Campbell. “Art and Philistia : Some Sidelights on Aesthetic Taste in Montreal and Toronto, 1880–1910.” University of Toronto Quarterly Vol. 6, no. 4 (July 1937): 515–524.
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Dumas, Paul. Lyman. Montréal: Éditions de l’Arbre, 1944.
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Harper, J. Russell. Everyman’s Canada: Paintings and Drawings from the McCord Museum of McGill University. Ottawa, ON: Queen’s Printer, 1962.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
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McLeish, John A. B. September Gale: A Study of Arthur Lismer of the Group of Seven. 2nd ed. Toronto, ON: J.M. Dent & Sons, 1973.
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Dumas, Paul. “Un peintre méconnu : Allan Harrison.” Vie des arts, Printemps 1973.
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Reid, Denis. Edwin H. Holgate. Ottawa, ON: National Gallery of Canada, 1976.
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Turner, Evan H. “The Coming of Age of Quebec Painting.” Apollo Vol. 103, no. 171 (May 1976): 428–433.
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Bridges, Marjorie Lismer, ed. A Border of Beauty: Arthur Lismer’s Pen and Pencil. Toronto, ON: Red Rock, 1977.
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McDougall, Anne. Anne Savage: The Story of a Canadian Painter. Montreal: Harvest House, 1977.
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Kuhns, William, and Leo Rosshandler. Sam Borenstein. Toronto, ON: McClelland and Stewart, 1978.
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Tolmatch, Elaine. “L’esthétique du paysage chez Arthur Lismer.” Master’s Thesis, Université de Montréal, 1978.
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Damroch, Lois. Bright Land: A Warm Look at Arthur Lismer. Toronto, ON: Merritt, 1981.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Smith, Frances K. Kathleen Moir Morris. Kingston, ON: Agnes Etherington Art Centre, 1983.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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de Pencier, Honor. Posted to Canada : The Watercolours of George Russell Dartnell, 1835-1844. Toronto, ON: Dundurn Press, 1987.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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Brooke, Janet M. Discerning Tastes: Montreal Collectors, 1880-1920. Montreal: Montreal Museum of Fine Arts, 1989.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Roussan, Jacques de. Cosgrove. Pointe-Claire, QC: Roussan, 1989.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Graham, Conrad. Mount Royal : Early Plans and Views of Montreal/Ville Marie : vues et plans anciens de Montréal. Montreal: McCord Museum of Canadian History, 1992.
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