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28 resources
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Dietze, Antje. “A Middleman’s Process : Booking and Managing Musical Theater Venues in Montreal from the 1880s to the First World War.” Journal of Urban History Vol. 47 (2020).
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Mills, Sean. “Democracy in Music : Louis Metcalf’s International Band and Montreal Jazz History.” Canadian Historical Review Vol. 100, no. 3 (September 2019): 351–373.
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de Almeida, Tereza Virginia. “Leonard Cohen and the Neo-Baroque Perspective.” Canadian Literature : A Quarterly of Criticism and Review No. 238 (2019): 177–181.
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Laberge, Yves. “Leonard Cohen (1934-2016), le Montréalais.” Cap-aux-Diamants (Printemps 2017): 54–55.
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Robillard-Cardinal, Laurent. “Vous souvenez-vous du son des cloches? Que reste-t-il des clochers d’Aylmer?” Histoire Québec Vol. 22, no. 4 (2017): 31–32.
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Cohalan, Kevin. “Trajet de jeunesse d’une artiste de renommée modiale. Maureen Forrester, fille de la rue Fabre.” Bulletin de la Société d’histoire et de généalogie du Plateau-Mont-Royal Vol. 10, no. 1 (Printemps 2015): 13.
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Forrest, Andrew. “The Organ at St. James United Church, Montréal.” The Diapason Vol. 105, no. 1 (January 2014): 22–28.
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Forrest, Andrew. “L’orgue de l’église unie St. James à Montréal : Une restauration signée Orgues Létourneau. II.” Mixtures: Bulletin de liaison de la Fédération Québécoise des Amis de l’Orgue Vol. 38 (Mai 2013): 19–22.
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Johnston, Andrew M. “Arts and Letters at Kingsmere: The Jenkins and McCurry Families.” Up the Gatineau! Vol. 39 (2013): 1–20.
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Forrest, Andrew. “L’orgue de l’église unie St. James à Montreal. Une restauration signée Orgues Létourneau (1e partie).” Mixtures: Bulletin de liaison de la Fédération Québécoise des Amis de l’Orgue Vol. 37 (November 2012): 13–17.
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Hull, Kenneth. “Charles James Stewart and the First Canadian Anglican Hymn Book.” Anglican and Episcopal History Vol. 81, no. 3 (September 2012): 307–329.
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Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Beckwith, John. “Choral Music in Montreal Circa 1900: Three Composers.” University of Toronto Quarterly Vol. 63, no. 4 (Summer 1994): 504–517.
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Norris, Ken. “‘From This Broken Hill’: Leonard Cohen’s Stranger Music.” American Review of Canadian Studies Vol. 24, no. 3 (1994): 363–375.
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Posen, Sheldon I. “English-French Macaronic Songs in Canada – A Research Note and Query.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 35–43.
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Bennett, Margaret. “Gaelic Song in Eastern Canada: Twentieth-Century Reflections.” Canadian Folklore/Folklore canadien Vol. 14, no. 2 (1992): 21–33.
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Benazon, Michael. “Leonard Cohen of Montreal.” Matrix No. 23 (Fall 1986): 43–57.
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Robert, Véronique. “Culture Without Frontiers.” Forces No. 73 (Hiver 1986): 37–40.
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MacDonald, Joan. “The Eastern Townships Conservatory of Music.” Stanstead Historical Society Journal Vol. 11 (1985): 35–38.
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Cohen, Judith R. “Judeo-Spanish Traditional Songs in Montreal and Toronto.” Canadian Folk Music Journal Vol. 10 (1982): 40–47.
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MacDonald, Mary Lu. “An Index to The Literary Garland Update.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 19 (1980): 79–83.
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Hare, John. “The Beginnings of Music Printing in Lower Canada.” Canadian Notes and Queries No. 5 (May 1970): 9–10.
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Kallmann, Helmut. “From the Archives: The Montreal Gazette on Music from 1786 to 1797.” The Canadian Music Journal Vol. 6, no. 3 (Spring 1962): 3–11.
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Lamontagne, C.-O., and Romain Gour. “Frank Stephen Meighen, dilettante et mécène (1870-1946).” Qui? Vol. 5, no. 3 (March 1954): 41–56.