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Elliott, Lorris, ed. Other Voices: Writings by Blacks in Canada. Toronto, ON: Williams-Wallace Publishers, 1985.
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Elliott, Lorris, ed. The Bibliography of Literary Writings by Blacks in Canada. Toronto, ON: Williams-Wallace Publishers, 1986.
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Austin, David, ed. You Don’t Play with Revolution: The Montreal Lectures of C.L.R. James. Oakland, CA: AK Press, 2009.
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Mills, Sean, Eric Fillion, and Désirée Rochat, eds. Statesman of the Piano: Jazz, Race, and History in the Life of Lou Hooper. Montreal and Kingston: McGill-Queen’s University Press, 2023.
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Annoual, Pascale C. “Art Therapy and the Concept of Blackness.” Master’s Thesis, Concordia University, 1995.
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Austin, David. Moving Against the System : The 1968 Congress of Black Writers and the Making of Global Consciousness. Toronto, ON: Between The Lines, 2018.
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Avrich, Barry. Oscar Peterson : Black + White. Documentary. Bell Media, 2021.
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Baldry, Mark S. “A Marketing Study for the Black Theatre Workshop of Montreal.” Research paper, Concordia University, 1990.
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Barris, Alex. Oscar Peterson: A Musical Biography. Scarborough, ON: Harper Collins Canada, 2002.
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Bayne, Clarence S. Problems Facing the Black Community of Montreal, Submitted to Le Comité de La Commission de La Culture, Hotel [Sic] Du Parliament [Sic]. Montreal: [s.n.], 1991.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Brownell, Edwin Orion. “Notes in Time: A Brief Oral History of Montreal’s Rhythm and Blues Club Circuit.” Research paper, Concordia University, 2000.
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Clifton, Merritt. “Quebec Loop Broke Color Line in 1935.” Baseball Research Journal Vol. 13 (1984): 67–68.
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Étienne, Gérard. La question raciale et raciste dans le roman québécois : essai d’anthroposémiologie. Montréal: Editions Balzac, 1995.
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Francis, Flora Blizzard. A Black Canadian Bibliography. Ottawa: Pan-African Publications, 2000.
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Frommer, Harvey. “Jackie Robinson as a Montreal Royal.” In Proceedings, 5th Canadian Symposium on the History of Sport and Physical Education, University of Toronto, Toronto, Canada, Aug. 26-29, 1982, 122–128. Toronto, ON: School of Physical and Health Education, University of Toronto, 1982.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Gilmore, John. Swinging in Paradise: The Story of Jazz in Montreal. Montreal: Véhicule Press, 1988.
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Green, Kim. “Contested ‘Places’ and Conflicted Nexuses in Gloria Naylor’s Linden Hills and Mairuth Sarsfield’s No Crystal Stair.” Canadian Review of American Studies Vol. 48, no. 2 (Summer 2018): 210–230.
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Harris, Jennifer. “Black Canadian Contexts: The Case of Amelia E. Johnson.” African American Review Vol. 49, no. 3 (Fall 2016): 241–259.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Jean, Stéphane. Le Fonds Oscar-Peterson. Répertoire numérique. Ottawa, ON: Bibliothèque nationale du Canada, 1999.
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Joy, Annamma, and Clarence Bayne. Business and the Arts: The Black Theatre Workshop in Canada. Montreal: Faculty of Commerce and Administration, Concordia University, 1991.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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