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St-Pierre, Marilou. “Myrtle Cook, une femme à part.” Belphégor : Littérature populaire et culture médiatique Vol. 15, no. 1 (2017): 1–5. https://journals.openedition.org/belphegor/842#:~:text=De%20son%20c%C3%B4t%C3%A9%2C%20Cook%20invite,les%20hommes%20et%20les%20femmes.
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Hamilton, Janice, Tracey Arial, and Lucy Anglin. Beads in a Necklace : Family Stories from Genealogy Ensemble. Montreal: Tracey Arial, 2017.
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Gasztold, Brygida. “Montreal Jews, Eastern European Survivors, and the Intergenerational Legacy of the Holocaust in Nancy Richler’s The Imposter Bride.” TransCanadiana : Polish Journal of Canadian Studies / Revue Polonaise d’Études Canadienne Vol. 9 (2017): 152–168. http://www.ptbk.org.pl/userfiles/file/TransCanadiana/TransCanadiana_9_2017_cover.pdf#page=153.
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Ward, Nick. “Remembering the Beaver Hall Group -- Canada’s Unsung Modernists.” FASSinate: Carleton University Faculty of Arts and Social Sciences Magazine, 2016. https://carleton.ca/fass/wp-content/uploads/FASSinate2016.pdf.
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Rosenblatt Mauer, Shana. “Women in Mordecai Richler’s Novels: Is There a Problem?” Studies in American Jewish Literature Vol. 35, no. 2 (2016): 178–186.
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Morgentaler, Goldie. “‘I Am Still There’: The Recreation of Jewish Poland in the Canadian Novels of Chava Rosenfarb.” Studies in American Jewish Literature Vol. 35, no. 2 (2016): 187–199.
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Chapman, Mary, ed. Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Cohalan, Kevin. “Trajet de jeunesse d’une artiste de renommée modiale. Maureen Forrester, fille de la rue Fabre.” Bulletin de la Société d’histoire et de généalogie du Plateau-Mont-Royal Vol. 10, no. 1 (Printemps 2015): 13.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Spergel, Julie. “Gendered Experience in Chava Rosenfarb’s The Tree of Life : A Trilogy of Life in the Łódź Ghetto.” In Women Writers of Yiddish Literature : Critical Essays, edited by Rosemary Horowitz, 208–229. Jefferson, NC: McFarland and Company, 2015.
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Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
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Rachwal, Maria Noriega. From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women’s Symphony Orchestra. Toronto, ON: Second Story Press, 2015.
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Pottier, Anna. Good As Gone: My Life with Irving Layton. Toronto, ON: Dundurn Press, 2015.
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Jasmin, Hélène. Elsie Reford : La grande dame des Jardins de Métis. Montréal: Lidec, 2015.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Henderson-Cameron, Laura. “‘A Strange Gestation’: Periods of Poetic Silence in Modern Canadian Creative Careers.” PhD dissertation, McGill University, 2015. https://escholarship.mcgill.ca/concern/theses/3t945t690.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
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Yelin, Shulamis, Gilah Yelin Hirsch, and Nancy Marrelli. Demonic to Divine: The Double Life of Shulamis Yelin. Montreal: Véhicule Press, 2014.
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Waddington, Miriam. The Collected Poems of Miriam Waddington : A Critical Edition. Edited by Ruth Panofsky. 2 vols. Ottawa, ON: University of Ottawa Press, 2014.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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Biron, Charlotte. “Mavis Gallant et Gabrielle Roy, journalistes.” Master’s Thesis, McGill University, 2014. https://escholarship.mcgill.ca/concern/theses/sx61dq234?locale=en.
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Birkle, Carmen. “‘So Go Home Young Ladies’: Women and Medicine in Nineteenth-Century Canada.” Zeitschrift für Kanada-Studien Vol. 34, no. Issue 63 (2014): 126–159. http://www.kanada-studien.org/wp-content/uploads/2014/07/ZKS_2014_7_Birkle.pdf.
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Nixon, Frank. “Marion Phelps (February 9, 1908 - January 22, 2013).” Quebec Heritage News Vol. 7, no. 2 (Spring 2013): 27–28.
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