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Hart, Arthur Daniel, ed. The Jew in Canada: A Complete Record of Canadian Jewry from the Days of the French Régime to the Present Time. Toronto & Montreal: Jewish Publications Limited, 1926. https://numerique.banq.qc.ca/patrimoine/details/52327/2873664?docref=t-Af7Qu2tADaru0dV89rnQ.
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Dagg, Anne Innis, ed. The Feminine Gaze: A Canadian Compendium of Non-Fiction Women Authors and Their Books, 1836-1945. Waterloo, ON: Wilfrid Laurier University Press, 2001.
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Anctil, Pierre, and Ira Robinson, eds. Les Communautés juives de Montréal. Histoire et enjeux contemporains. Québec: Septentrion, 2010.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Chapman, Mary, ed. Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Adams, Annmarie. “Les représentation des femmes dans la revue de l’Institut royal d’architecture du Canada, de 1924 à 1973.” Recherches feministes Vol. 7, no. 2 (1994): 7–36.
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Adams, Annmarie. “Girl Architects-To-Be: Early Women Graduates of McGill’s School of Architecture, 1939-1970.” La revue d’architecture ARQ (Août 1996): 12. http://personnel.mcgill.ca/files/annmarie.adams/GirlArchitectsToBe.pdf.
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Adams, Annmarie. “‘Archi-Ettes’ in Training: The Admission of Women to McGill’s School of Architecture.” Society for the Study of Architecture in Canada Bulletin / Bulletin de la Société pour l’étude de l’architecture au Canada Vol. 21, no. 3 (September 1996): 70–73. https://dalspace.library.dal.ca/bitstream/handle/10222/71192/vol21_3__70_73.pdf?sequence=1&isAllowed=y.
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Adams, Annmarie. Medicine by Design: The Architect and the Modern Hospital, 1893-1943. Minneapolis: University of Minnesota Press, 2008.
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Adams, Annmarie. “Encountering Maude Abbott.” Feminist Encounters: A Journal of Critical Studies in Culture and Politics Vol. 2, no. 2 (2018): 21–38. http://www.lectitopublishing.nl/download/encountering-maude-abbott-3889.pdf.
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Adams, Annmarie, and Peter Gossage. “Health Matters: The Dawson and Harrington Families at Home.” Fontanus Vol. 12 (2010): 41–62. http://fontanus.mcgill.ca/article/view/190.
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Adams, Annmarie, Valerie Minnett, Mary Anne Poutanen, and David Theodore. “‘She Must Not Stir out of a Darkened Room’: The Redpath Mansion Mystery.” Material Culture Review/Revue de la culture matérielle Vol. 72 (Fall 2010): 12–24. https://journals.lib.unb.ca/index.php/mcr/article/view/18717/20460.
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Adams, Annmarie, and Silvia Spampinato. “Carrollcroft as Women’s Space: An Architectural History.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 35 (2010): 21–48. http://www.etrc.ca/journal/jets-archive/.
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Adams, Annmarie, and Peta Tancred. “Designing Women”: Gender and the Architectural Profession. Toronto, ON: University of Toronto Press, 2000.
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Adams, Annmarie, and Peta Tancred. “Montreal’s Designing Women.” Canada’s History Vol. 80, no. 1 (January 2000): 28–31. http://greatwaralbum.ca/Magazine/Online-Extension/Articles/Montreal-s-Designing-Women.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Alexander, Flora. “Quebec Storytellers: Mavis Gallant’s Narrators in Their Settings.” British Journal of Canadian Studies Vol. 6, no. 2 (1991): 304–312.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Baker, Victoria. L’art des Cantons de l’est : 1800-1950. Exposition à la Galerie d’art du Centre culturel, Université de Sherbrooke. Sherbrooke, QC: La Galerie, 1980.
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Beausoleil-Morrison, Rachel Chantal. “Montreal Jazz Vocalists: The Relationship Between Their Status and Improvisation, and the Canons of Jazz.” Master’s Thesis, University of Ottawa, 1999. https://ruor.uottawa.ca/bitstream/10393/8536/1/MQ48132.PDF.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Beecroft, Alexander. “The Bird of Passage and the Petit Panthéon: Frances Brooke, Philippe Aubert de Gaspé Fils, and Where to Begin a National Literature.” Studies in Canadian Literature/Études en littérature canadienne Vol 38, no. 1 (2013): 31–49. https://journals.lib.unb.ca/index.php/SCL/article/view/21447/24889.
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Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Benazon, Michael. “Malca and Ruby Friedman: Two Early Montreal Jewish Women Writers in English.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 17 (Fall 2000): 25–44. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_17-4-Benazon.pdf.
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