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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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Bridges, Marjorie Lismer, ed. A Border of Beauty: Arthur Lismer’s Pen and Pencil. Toronto, ON: Red Rock, 1977.
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Hommage à Nincheri à l’occasion du XXème anniversaire de sa mort /Omaggio a Nincheri nel XX anniversario della sua scomparsa. Montréal: Centre culturel italien du Québec / Centro culturale italiano del Quebec / Italian Cultural Center of Quebec, 1993.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Johnson, Jan, ed. Du privé au public : gravures du Québec provenant des membres de la Société des Collectionneurs d’estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: SCEM / MPCS, 2004.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Legault, Réjean, ed. Norman Slater: Leçons de Design / Design Lessons. Montréal: Centre de design de l’Université du Québec à Montréal, 2011.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Adams, Robert. The Life and Work of Alexander Bercovitch, Artist. Montreal: Éditions Marlowe, 1988.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
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Asselin, Hedwige. Inédits de John Lyman. Montréal: Bibliothèque nationale du Québec, 1980.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
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Bazin, Jules. Cosgrove. LaPrairie, QC: M. Broquet, 1980.
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Beaudet, Pascale. “La galerie Powerhouse : réflexion sur dix années d’existence.” Master’s Thesis, Université de Montréal, 1984.
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Beitel, Garry. Y’a Rien de Sacré / Nothing Sacred. Documentary. National Film Board of Canada, 2003.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Bourassa, Napoléon. “Quelque réflexions critiques à propos l’Art Association of Montreal.” Revue canadienne Vol. 1, no. 3 (March 1863): 170–182.
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Braide, Janet. Anne Savage : Sa Vision de La Beauté/Anne Savage : Her Expression of Beauty. Montreal: Montreal Museum of Fine Arts/Musée des beaux-arts de Montréal, 1979.
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