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170 resources
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Bridges, Marjorie Lismer, ed. A Border of Beauty: Arthur Lismer’s Pen and Pencil. Toronto, ON: Red Rock, 1977.
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Béland, Mario, ed. Painting in Quebec, 1820-1850: New Views, New Perspectives. Québec: Musée du Québec, 1992.
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Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Baker, Victoria. L’art des Cantons de l’est : 1800-1950. Exposition à la Galerie d’art du Centre culturel, Université de Sherbrooke. Sherbrooke, QC: La Galerie, 1980.
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Baker, Victoria. “Establishing A Sense Of Community: Early Representations of the Eastern Townships.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est. No. 14 (1999): 19–32. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-5-Baker.pdf.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
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Beaudoin, Caroline. “F.S. Coburn’s Antimodern-Modern Landscape Paintings of Quebec Loggers in the Eastern Townships.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 37–57. http://www.etrc.ca/wp-content/uploads/2017/10/JETS_46-6_Beaudoin.pdf.
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Béland, Mario. “De Berczy à Krieghoff : peintres étrangers au Bas-Canada, 1790-1850.” Vie des arts No. 149 (hiver -1993 1992): 10–17.
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Béland, Mario. “Montréal vu par John P. Drake.” Cap-aux-Diamants No. 52 (Hiver 1998): 63. https://www.erudit.org/fr/revues/cd/1998-n52-cd1042789/8106ac.pdf.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Belleau, Bernard. “George H. Presby, Photographe à Sherbrooke: 1862-1903.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 7 (automne 1995): 49–67.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
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Braide, Janet. “John Lyman - A Bibliography Of His Writings.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 4, no. 2 (78 1977): 130–140. http://jcah-ahac.concordia.ca/en/archive/6.
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Brière, Marie-Andrée. Herman Heimlich : oeuvres sur papier. Joliette, QC: Musée d’art de Joliette, 1992.
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Brooke, Janet M., Nicole Cloutier, Elizabeth H. Kennell, and Monique Nadeau-Saumier. La Collection Frederick Simpson Coburn. Sherbrooke, Qué: Musée des beaux-arts, 1996.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Busseau, Laurent. “Guido Nincheri : le savoir-faire de la Renaissance italienne à Montréal.” Histoire Québec Vol. 22, no. 4 (2017): 14–16.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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