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Huston, Lorne, and Marie-Thérèse Lefebvre. George M. Brewer et le milieu culturel anglophone montréalais, 1900-1950. Québec, QC: Septentrion, 2020.
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Donovan, Patrick. “English-Speaking Quebecers.” The Canadian Encyclopedia. Historica Canada, August 29, 2019. Accessed November 6, 2015. http://www.thecanadianencyclopedia.ca/en/article/english-speaking-quebecer/.
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King, Jason. “Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec.” CLCWeb: Comparative Literature and Culture Vol. 18, no. 4 (2016): 8 pages. https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2907&context=clcweb.
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Huston, Lorne. “‘Empire’ et ‘Nation’ dans le regard du Montreal Star sur la scène dramatique francophone : Les chroniques de Samuel Morgan-Powell (1913-1953).” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 167–194. Québec: Septentrion, 2016.
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Eamon, Michael. Imprinting Britain: Newspapers, Sociability, and the Shaping of British North America. Montreal and Kingston: McGill-Queen’s University Press, 2015.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Saint-Pierre, Christian. “Se rencontrer à mi-chemin. Entretien avec Denis Bernard.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 63–68.
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Guay, Hervé. “Bref historique du multilinguisme dans le théâtre québécois.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 44–50.
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Couture, Philippe. “Le multilinguisme scénique à Montréal : une écriture de plateau.” Jeu: Revue de théâtre Vol. 145, no. 4 (2012): 58–63.
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Burns, Patricia. Life on the Home Front: Montreal 1939-1945. Montreal: Véhicule Press, 2012.
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Margolis, Rebecca. “Ale Brider: Yiddish Culture in Montreal and New York City.” European Journal of Jewish Studies (EJJS) Vol. 4, no. 1 (2010): 137–164.
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Canada. Office of the Commissioner of Official Languages. Federal Government Support for the Arts and Culture in Official Language Communities/Soutien des institutions fédérales aux arts et à la culture dans les communautés de langue officielle en situation minoritaire. Ottawa: Office of the Commissioner of Official Languages, 2008.
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Hulslander, Kenneth. “L’espace comme signe identitaire : une étude des fonctions syntagmatiques de l’espace dans la dramaturgie anglo-québécoise depuis les années 1970.” PhD dissertation, Université du Québec à Montréal, 2005.
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Rideout, George. An Anglophone Is Coming to Dinner. Toronto, ON: Playwrights Union of Canada, 2001.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Hurley, Erin. “Styling a Nation : Theatre and Belonging in Quebec.” PhD dissertation, City University of New York, 2000.
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Bangham, Nicola. “An Experiment in Integration: Working with Youth-At-Risk in Performative Style Drama Therapy at the Centre for the Arts in Human Development (Concordia University).” Master’s Thesis, Concordia University, 2000. https://spectrum.library.concordia.ca/1213/1/MQ54351.pdf.
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Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Lieblein, Leanore. “Establishing Contact Between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987.” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 371–385. Toronto: University of Toronto Press, 1999.
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Charpentier, Marc. “Broadway North: Musical Theatre in Montreal in the 1920s.” PhD dissertation, McGill University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-35990.pdf.
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MacLeod, Alec. Fennario: His World on Stage. DVD, Documentary. National Film Board of Canada, 1996.
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Page, Malcolm. “David Fennario’s Balconville: Document and Message.” In On-Stage and Off-Stage : English Canadian Drama in Discourse, edited by Albert-Reiner Glapp and Rolf Althof. St. John’s, NL: Breakwater, 1995.
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Galli Mastrodonato, Paola Irene. “Intervista a David Fennario.” Rivista di Studi Canadesi Vol. 8 (1995): 135–144.
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Hulslander, Kenneth. “L’émergence d’une identité québécoise dans la dramaturgie anglo-montréalaise.” Master’s Thesis, Université du Québec à Montréal, 1994.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Bourassa-Trépanier, Juliette, and Lucien Poirier. Répertoire des données musicales de la presse québécoise, tome 1 : 1764-1799. Québec: Presses de l’Université Laval, 1990.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Fullerton, Carol W. “The Theatre Criticism of George Stewart, Jr.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 147–156. https://journals.lib.unb.ca/index.php/tric/article/view/7333/8392.
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Ackerman, Marianne. “Bridging the Two Solitudes: English and French Theatre in Quebec.” In Contemporary Canadian Theatre: New World Vision: A Collection of Essays, edited by Anton Wagner, 128–136. Toronto, ON: Simon & Pierre, 1985.
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