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7 resources
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Mok, Lucille Yehan. “Glenn Gould, Oscar Peterson, and New World Virtuosities.” PhD dissertation, Harvard University, 2014. http://dash.harvard.edu/bitstream/handle/1/13064972/Mok_gsas.harvard.inactive_0084L_11837.pdf?sequence=1.
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Kreiner, Emma. “Saint-Henri and the Urban Uncanny: A Comparative Analysis of Hubert Aquin’s À Saint Henri Le Cinq Septembre (1962), and Shannon Walsh’s Saint-Henri The 26th of August (2011).” Master’s Thesis, Concordia University, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-977605.pdf.
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Pelletier, Louis. “The Fellows Who Dress the Pictures: Montreal Film Exhibitors in the Days of Vertical Integration (1912-1952).” PhD dissertation, Concordia University, 2012. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975128.pdf.
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Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
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Pelletier, Louis. “George Ganetakos et la United Amusement Corporation, Limited, 1910-1930 : formation d’une chaîne de cinémas montréalaise.” Master’s Thesis, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-7981.pdf.
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Stober, JoAnne. “That’s Not What I Heard: Synchronized Sound Cinema in Montreal, 1926-1931.” Master’s Thesis, Concordia University, 2001. https://spectrum.library.concordia.ca/id/eprint/1544/1/MQ64013.pdf.