Your search results
8 resources
-
Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
-
Nadeau-Saumier, Monique. “Sous-sol au mannequin de tailleur : un tableau témoin d’un quartier et d’une époque de Louis Muhlstock.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 119–141. http://jcah-ahac.concordia.ca/en/archive.
-
Lerner, Loren. “Sam Borenstein, Artist and Art Dealer: The Polemics of Post-Holocaust Jewish Cultural Identity.” Canadian Jewish Studies/Études juives canadiennes. Vol. 12 (2004): 31–44. http://cjs.journals.yorku.ca/index.php/cjs/article/view/22625/21096.
-
Dombowsky, Philip. Dr. Max Stern and the Dominion Gallery: A Selection from the Archives. Ottawa, ON: National Gallery of Canada, 2003. http://national.gallery.ca/pdf/exn14_e.pdf.
-
Cousins, Darlene Caroline. “Otto Dix’s Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum.” Master’s Thesis, Concordia University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1854.pdf.
-
Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
-
Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
-
Trépanier, Esther. “Peintres juifs au rendez-vous de la modernité.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/610ac.pdf.