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21 resources
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Ivory, Sarah Elizabeth. “The European Art and Canadiana Collections of Robert Wilson Reford (1867-1951).” Master’s Thesis, Concordia University, 1995. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-112.pdf.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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Dion, François. “Jack Beder, la vie et l’oeuvre d’un peintre montréalais : (1910-1987).” Master’s Thesis, Université du Québec à Montréal, 1993.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
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Trépanier, Esther. “Peinture et modernité au Québec, 1919-1939.” PhD dissertation, Université de Paris I, Panthéon-Sorbonne, 1991.
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Nicolai, Eric. “Portraits of Children in Quebec Art, 1800-1860.” Master’s Thesis, Université Laval, 1991. https://corpus.ulaval.ca/jspui/handle/20.500.11794/33467.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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De Haitre-Ford, Micheline. “L’héritage antique dans le patrimoine culturel du Québec.” PhD dissertation, Université de Tours, 1987.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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Grigor, Angela Nairne. “Arthur Lismer: A Critical Analysis of His Pedagogy in Relation to His Use of the Project Method in Child-Centered Art Education.” Master’s Thesis, Concordia University, 1982. https://spectrum.library.concordia.ca/2572/1/MK58418.pdf.
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Tolmatch, Elaine. “L’esthétique du paysage chez Arthur Lismer.” Master’s Thesis, Université de Montréal, 1978.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.