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Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
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Evoughlian, Sandra. “Envisioning New Futures : Portrait Photographs of Black Victorians in Montreal, 1861-1901.” Master’s Thesis, McGill University, 2018. https://escholarship.mcgill.ca/concern/theses/v979v695j.
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Théry, Flore. “Les commandes de photographies documentaires dans le studio Notman (1858-1909) : Naissance d’une mythologie canadienne de l’âge moderne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20182/Thery_Flore_2017_memoire.pdf?sequence=2&isAllowed=y.
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Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Rondeau, Kim. “Où en sommes-nous avec l’art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5249.pdf.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Lafleur, Geneviève. “Le parcours de formation et les stratégies de diffusion de femmes galeristes à Montréal entre 1941 et 1963 : Denyse Delrue, Estelle Hecht, Agnès Lefort et Rose Millman.” Master’s Thesis, Université du Québec à Montréal, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-4006.pdf.
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Herbert, Rhiannon. “Elephant in the City: An Analysis of Visual Culture and the Aesthetic Elsewhere of Indian Restaurants in Montreal, QC.” Master’s Thesis, Concordia University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-35884.pdf.
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Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Liétard, Clotilde. “La thématique hivernale dans les oeuvres de Maurice Cullen, de 1896 à 1914.” Master’s Thesis, Université de Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMU/TC-QMU-4417.pdf.
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Godin-Laverdière, Julie-Anne. “L’apport de Prudence Heward, Lilias Torrance Newton et Jori Smith à l’élaboration de la modernité picturale canadienne : 1920-1948.” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2702.pdf.
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Alvarez Hernandez, Analays. “La commande publique dans un contexte de diversité ethnoculturelle: débat entourant l’érection du monument La Réparation (1994-1998).” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3715.pdf.
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Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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Eagan, Mireille. “The Pictured and the Posed: Nineteenth Century Touristic Images of the Lachine Rapids.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976200.pdf.
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De Garie-Lamanque, Ève. “L’Esthetique de la trace anonyme. Étude comparative des cas de Betty Goodwin et de Christian Boltanski.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45287.PDF.
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Chase, Stanley. “Chronicles of Teen Participants from the Leave Out Violence (LOVE) Photojournalism Project.” PhD dissertation, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975737.pdf.
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Buis, Alena. “Ut Pictura Poesis: Edward Black Greenshields’ Collection of Hague School Paintings.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976098.pdf.
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Matte, Gabrielle. “Tourisme et vulgarisation historique dans le milieu artistique montréalais entre les années 1910 et 1930 : étude des recueils ‘Old Montreal’ de Herbert Raine et...’Croquis montréalais’ de Charles Walter Simpson.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-850.pdf.
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Gélinas, Dominique. “La communication de contenus culturels sur Internet : la conception d’un site : étude de cas : Louis Muhlstock : rapport de travail dirigé.” Master’s Thesis, Université du Québec à Montréal, 2007.
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